Enrico David's embroideries create a camp theatricality; his figures emerge as staged constructions, paralleling outward appearance with inner fantasy. In Agent, David's crouching figure is set in monotone against blended grey ground, creating the inside-out suggestion of photographic negative. Within the red trimmed contours, an image of a warrior appears, reminiscent of Japanese woodcuts. Heavily stitched with thick wool, Agent's burly soft texture both highlights and undermines the perception of strength and masculinity, portraying a dandy of heroic proportions.
Enrico David's stylised figures draw upon the carnival-esque, their elaborate costumed appearance both celebrates and closets their identity. Set a la Bond girl against a sumptuous candyfloss pink ground, Cora presents a naughty intrigue associated with a more romantic and innocent time. Through both his subject and media, David confronts the boundaries of gender expectation: rendered through the traditional women's art of needlework, Cora's body is suspiciously asexual, ?her? butterfly head spanning in demure reference to female genitalia.
Through an incredibly time consuming process of hand stitching, Enrico David renders intimate sentiment as an anonymous aesthetic icon. Centring his subject on a luxuriously dyed canvas, David adapts the type of classic composition associated with the art deco designer Ert?. Fabricated from sumptuous silk thread and yarn, David crafts a refined elegance that's both austere and tactile. Approaching fashion as folly, David's swarthy figure is mysteriously chic, a blackened silhouette rejoicing in its ?invisible? intrigue. Hinting at a sexual awakening, or blossoming innocence, the ornate head makes reference to Georgia O'Keefe's flower paintings.
Enrico David's large-scale canvases explore personal identity within the public domain. Dealing with issues of queer politics, David appropriates elements from modernist design and contemporary culture to develop an intimate platform of fantasy and revelation. Created in embroidery on tie-dyed fabric, Stick of Rock presents a quirky sexuality based equally in high fashion, subculture, and home craft. Dressed in a Pucci-esque catsuit, David's svelte poseur is both exhibitionist and stealth-like. His sleek figure is transformed by its woollen texture, drawing peculiar and humorous reference to S&M, bondage, and role-play with its seductively cuddly material.
Read Entire Article about Artist Enrico David paintings and artwork at The Saatchi-Gallery http://www.saatchi-gallery.co.uk/artists/enrico_david.htm
Molly Larkey's The Revolutionary playfully incorporates elements of formalist abstraction with its symbolic subject matter. Constructed from a variety of materials, Larkey gives her sculpture a rainbow treatment of brightly coloured paint, each rough hewn component compiling as a topsy-turvy monument, inciting both Modernist art history and hippie psychedelia. With her theatrical assemblage, Larkey frames these disparate ideas as humorously dysfunctional; relating the dynamics of power with the festivity of grass roots endeavour.
BIOGRAPHY
1971 Born Los Angeles. Lives and works in Brooklyn
SOLO EXHIBITIONS
2007
Project Room, PS1 Contemporary Arts Center, Long Island City
2004
Webspace @ Artists Space, New York
2003
The End of You Is The Beginning of The End of Me, PS122 Gallery, New York
GROUP EXHIBITIONS
2007
M*A*S*H, curated by Omar Lopez-Chahoud & Amy Smith-Stewart, New York Tropical Punch, Jack the Pelican Presents, Brooklyn
2005
LineAge, The Drawing Center, New York, NY Off My Biscuit, Destroy Your District!, Samson Projects, Boston Atomica, Esso Gallery & Lombard-Fried Fine Arts, New York D'sert de Retz, curated by David Hunt, Audiello Fine Art, New York
2004
Black Milk, Marvelli Gallery, New York
2003
Terrible Beauty, Satellite? (a division of Roebling Hall), New York
2001
An Exhibition of Works by Contemporary Women Artists: Kiki Smith, Cecily Brown, Jane Hammond, Elizabeth Murray, Susan Rothenberg, Molly Larkey, Lisa Yuskavage, Marisol, Bobbie Greenfield Gallery, Santa Monica
2000
New York Area MFA Exhibition, Hunter College, New York MFA Thesis Exhibition, Rutgers University, New Brunswick
1999
Size Matters, Gales Gates et al, Brooklyn, NY Mirror, Mirror On the Screen, Momenta Art Gallery, Williamsburg The Y2K Solution, Rutgers University, New Brunswick
1996
Incestuous, Threadwaxing Space, New York
Molly Larkey's The Revolutionary playfully incorporates elements of formalist abstraction with its symbolic subject matter. Constructed from a variety of materials, Larkey gives her sculpture a rainbow treatment of brightly coloured paint, each rough hewn component compiling as a topsy-turvy monument, inciting both Modernist art history and hippie psychedelia.
Read Entire Article about Artist Molly Larkey paintings and artwork at The Saatchi-Gallery http://www.saatchi-gallery.co.uk/artists/molly_larkey.htm
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