What makes Tipping the Velvet an excellent film is its talented cast with a great presentation, and it has a life-changing, meaningful message by a lesbian about innocence, desire, passion, betrayal, empathy, change, independence, resourcefulness, vision, love and happiness while retaining a sense of self-worth and self-esteem.
It is incredibly unusual to see an alternative lifestyle film with a happy ending.
I review controversial films because they are ultimately about relationships and relationships are the foundation of our lives.
As I grow older I understand that the most important things in my life have nothing to do with money or material things, and everything to do with my relationships involving my wife, my children, my grandchildren, extended family and friends.
What matters over the long haul is the well-being of people, not whether we agree or disagree with their lifestyle choices.
The BBC has done a tremendous service in bringing this movie to television with the quality of a BBC broadcast that includes great writing, great sound, great cinematography, great direction and a great cast.
Based on Sarah Waters' acclaimed debut novel, Tipping the Velvet was adapted by Andrew Davies, an Emmy award-winning British screenwriter who has also written "Doctor Zhivago", "Bridget Jone's Diary", "Sense and Sensibility", "Vanity Fair" and "Pride and Prejudice". Davies is a very talented heavyweight.
Tipping the Velvet tells the story of Nan Ashley (Rachael Starling, the real life daughter of Diana Rigg) who shucks oysters and serves customers at her father's seaside restaurant in Victorian England during the 1890's.
Nan's mundane life turns upside down when she sees an extraordinary performance by an attractive traveling male impersonator named Kitty Butler (Keeley Haws). Nan's innocent interest is fueled when she is asked by Kitty to become her dresser while she is performing in Whitstable.
When Kitty is recruited by Walter Bliss (John Bowe), and heads to London to become a big time entertainer, she invites Nan to accompany her as her dresser. Nan falls in love with Kitty, joins her act as a performer and ultimately the two become secret lovers.
For Nan the relationship is euphoric and her happiness real until she returns from a vacation trip home and discovers that Kitty and her manager Walter have become lovers and are to marry.
Nan's initial innocence and desire are now confronted by betrayal and rejection. Despite being devastated, Nan awakes from her stupor and asserts her independence by walking the streets of London disguised as a young man for hire, performing oral sex so she can survive. When she is assaulted, Nan is rescued by a rich widow who gives her every comfort in exchange for lesbian sex. Nan becomes a prisoner and slave to her passions for pleasing and being pleased.
Eventually there is a tiff and the widow, Diana Leathaby (Anna Chancellor), throws Nan out, where she is left penniless and alone to fend for herself with nothing but the clothes on her back. Despite her misfortune, Nan vows to survive. Nan now learns the plight of those in need and turns for help to the only person she can remember, Florence Banner (Jodhi May), who she had met earlier in better days.
Florence and the brother Ralph Banner (Hugh Bonneville) reluctantly take in the battered and exhausted Nan for a night, but Nan is determined to change her ways. She becomes resourceful in convincing Florence and Ralph that she can clean, cook, and watch the baby that the Banners are raising.
Nan's vision is to make herself so indispensable that she will remain welcome in the Banner home despite her 7-year journey from innocence to unbridled passion to debauchery, recovery and finally well-being and acceptance. Ultimately Nan and Florence fall in love. Then Kitty returns to Nan's life once again when Kitty, wishing to resume her torrid relationship with Nan, learns that Nan is back performing on stage.
Nan is then forced to decide between the attractive, passionate Kitty and the more loyal, loving Florence. For once, Nan makes a wise choice in staying with Florence, finding the love and happiness she wanted but had never possessed. The ending is what makes Tipping the Velvet an excellent movie. When all is said and done, Nan and Florence survive in their relationship as well-adjusted adults who find each other and continue living with their self-esteem and self-worth intact.
Other than a few awards from lesbian theater groups, Tipping the Velvet was ignored by the critics, and especially Hollywood. This is why I write reviews, to separate the wheat from the chaff and recognize substance in filmmaking wherever it exists.
The more knowledge and understanding we have of people, races, cultures, mores and lifestyles, the sooner we come to understand that we are all connected. We tend to value acceptance and tolerance only when it is taken from us. "Too often we enjoy the comfort of opinion without the discomfort of thought." John F. Kennedy said it, and I believe it.
And what does "tipping the velvet" mean? See the movie, not to find out what tipping the velvet means but because it is an excellent film on alternative lifestyles. Support films that increase understanding and acceptance.
(Editor's Note: This is Part 2 of a 2-Part Review.)
Tipping the Velvet - 4 Stars (Excellent)
"Tipping the Velvet" is what some viewers would consider a terrible film about a sinful, raunchy lifestyle, and what I would consider an excellent film despite any apparent raunchiness.
After writing 135 reviews, including what I would consider 8 alternative lifestyle films, Tipping the Velvet is the absolute best film and only the second film among the 8 in this genre that I would recommend seeing.
Here are the films I considered terrible and the reasons why. I gave a "1 Star - Terrible Rating" to these 6 films:
"Boys Don't Cry" which won Hilary Swank a Best Actress Oscar for her performance as Brandon Teena, a transgendered teen who was born a woman named Teena Brandon who preferred life as a male and lived as a male until it was discovered that "he" was born female. This film had a very tragic ending.
"Ed Wood" which was the real life story of Ed Wood, known as the worst film director in Hollywood history. He liked to dress in women's clothes while directing low-budget, absolutely terrible films.
"Imagine Me & You" shows a bride at the altar simply looking at another woman and starting an awakening that leads to the destruction of her marriage and living happily ever after with her new lesbian partner.
"Myra Breckenridge" is Gore Vidal's controversial film about Myron Breckenridge, a man who goes to Europe for a sex change operation and comes back as Myra Breckenridge, a man-hating woman.
"The Rocky Horror Picture Show" finds a newly engaged couple whose car breaks down and they seek help from a Transylvanian transvestite involved in a bizarre lifestyle.
This was one of Susan Sarandon's early films; she would later earn 4 Academy Award nominations for Best Actress, and an Oscar for her role in "Dead Man Walking".
"Transamerica" which won Felicity Huffman a Best Actress Oscar nomination and a Best Actress Golden Globe Award for her performance as Bree, a pre-operative male-to-female transsexual who takes an unexpected journey from Los Angeles to New York when she learns that she fathered a son earlier in life.
Receiving my "2 Star - Average Rating" were:
"The Adventures of Priscilla, Queen of the Desert" which has two drag queens and a transsexual driving a lavender bus named Priscilla across the Australian desert to a gig at an isolated resort.
"Breakfast on Pluto" is a gender preference movie about a boy who really wants to be a girl, and settles for being a transvestite trying to find a place in a world that curses his very existence.
The best of these 8 films is Breakfast on Pluto, which has Irish actor Cillian Murphy in the role of Patrick "Kitten" Braden. I recommend seeing Breakfast on Pluto as it is far better than the other 7 films, and Cillian Murphy proves passable as a woman and gives a great performance.
All of these films are controversial due to their subject matter.
It is very difficult to make a great film.
It is difficult to make a good film.
It is almost impossible to make a good film when the subject matter is not even on the radar acceptance screen of the average viewer.
Alternative lifestyle films do not win awards even if the actors involved get an Oscar (as Hilary Swank did in Boys Don't Cry), get nominated for an Oscar (as Felicity Huffman did in Transamerica) or get nominated for a Golden Globe (as Cillian Murphy did in Breakfast on Pluto).
The typical moviegoer does not want to talk about alternative lifestyles much less see them. We are uncomfortable with what we do not know or understand.
There will be no great acceptance for alternative films now or in the distant future. Hollywood is OK with accepting alternative lifestyles, but Hollywood is generally far more liberal, permissive and self-absorbed than mainstream America.
A big part of the acceptance problem is the Hollywood filmmakers. Producers of alternative lifestyle films have millions of moviegoers glued to their presentation, but they continually fail to deliver an important message involving understanding and knowledge.
With a laser beam on sensationalism and the cash register, Hollywood filmmakers would have us believe that it is impossible to tell a good alternative lifestyle story with significant meaning without using intensely brutal rape scenes, sexuality, filthy language, drug usage and murder.
All of these aforementioned events only reinforce all of the stereotypes, prejudices, bigotry, stupidity and transphobia already present in our society and culture.
I am not sure what the phobia is for transgendered people so I simply created transphobia because homophobia means an extreme and irrational aversion to homosexuality and homosexual people, which is not what we are talking about here.
And then there is Tipping the Velvet which does exactly that: tell a good alternative lifestyle story with significant meaning.
Just as Breakfast on Pluto is a good film made in Ireland, Tipping the Velvet is an excellent film produced in England for the BBC (British Broadcasting Company) by Sally Head Production.
The BBC brought this controversial movie to a 5-millon strong mainstream television audience. An American filmmaker has not yet been able to produce a quality alternative lifestyle film for television. Tipping the Velvet is really three stories in one as it was originally aired in three parts and runs 2 hours and 57 minutes.
(Editor's Note: This is Part 1 of a 2-Part Review.)
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