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[S752]Sound Cards For Computers
by Daniel Lehrman, Dan
As my interest grows on the subject of using computers for recording purposes or for creating effects or anything your imagination dreams of, it seems like time to Discuss and briefly brake down into terms you understand the options available such as the PCI, Firewire, USB 2.0, Cardbus, USB 1.1 setups.

If you are using PC software, get a desktop system. If running Mac software, the Mac desktops do it best. Ifit has to be a laptop, get a Mac. If it has to be a PC laptop, do firewire, USB 2.0, or a cardbus. Or consider using onboard sound with various adapters and connecting a small preamp to the line inputs.

USB 1.1
Perhaps the most well-known USB 1.1 interface is the Mbox2Mini, which runs Pro Tools LE. If you want to run that, make sure your laptop meets or exceeds Digidesign qualifications, which you can find at the Digidesign site. There is the M-Audio MobilePre USB Portable Audio Interface and Fast track Pro USB interfaces and the original Tascam US 122 which uses USB2.0.

USB2.0
The newer form of USB, based on the 2.0 spec, is theoretically capable of slightly exceeding the speeds and throughput of firewire, so USB2.0 devices can make good solutions for laptops or desktops that sport a USB 2.0 interface. There is a huge world of difference between USB 1.1 and 2.0. Never confuse the two; it's night and day difference in terms of performance.. Also never assume an interface is USB 2.0 unless it specifically says it is. If it just says USB, then assume it is 1.1. Believe me, if it was 2.0, they would tell you. There are more USB 2.0 interfaces out, though it is changing. Some notable USB2.0 interfaces are the Tascam US122L and Tascam US144. There is also a version of the MOTU 828mk2 that is USB 2.0 instead of Firewire. Newer to the scene are the Emu 0404 and 0202, and the Alesis IO2.

CardBus
Solutions are for laptops. One way is to get an RME Cardbus solution. The Cardbus connects via a typical Firewire IEEE1394 cable to a breakout box such as the RME Multiface. Because the Multiface handles most of the processing, the CPUs task is eased and good performance is possible. Read more at RMEs website. Emu has released the 1616 laptop audio interface. There are other cardbus solutions. Ask yourself one question before going with a Cardbus solution, why get this rather than firewire?

PCI and PCIe
PCI (and PCIe for those with late model desktop Macs) interfaces are for desktop systems, not for laptops. Lynx, RME and MOTU on the pro end. Emu's desktop series, M-audio's Delta series, and the Echo series are all respectable. On the inexpensive side the emu 1212M and M-audio 2496 are known performers. Also check out the PCI version of the Emu 1616M. Note to use a PCI card you have to have an open PCI slot on your computer. While I know that seems obvious, nowadays some computers are sold without PCI slots. Believe it, so check!

Firewire
Good for laptops or desktops. Motu has released the Traveler, a portable, but full featured audio interface. You can actually power the thing from the firewire port itself, or by battery power which I discuss in the article Beware of Proprietary Connections When Buying Guitar Gear and Equipment, which is good for recording on the road. Heh, you could record Rainy Days on a rainy day!

Need something more portable? Check out the PreSonus FP10 FireWire Recording Interface. The Firebox can also be powered off the FW bus. More for professionals are the MOTU Ultralite and the Focusrite Saffire. Examine the inexpensive Firewire Audiophile 2496 and Firewire Solo. Among the newer firewire audio interfaces that hold promise are the Yamaha GO46, the Onyx Satellite, Alesis IO14 and I026. The Alesis just mentioned have an incredible amount of i/o for the price. A really cool product just arriving now is the Tascam FireOne. As you see there is no shortage of choices.

Wanna have a big interface to go with your laptop or desktop computer? You can run the control surface/interface combos such as the project mix, Digi 002, Tascam FW1884 or the Mixers with built in and add on firewire interfaces like the Onyx mixers, the Alesis Multimix firewire mixers and the Phonic Helix FW mixers as well.

The most popular picks that balance plenty of features with affordable pricing is the MOTU 828mkII FireWire Audio Interface for my Mac Pro and the Intel-based Macs. For the PC, if one were buying today, the 19th of February, 2008 I would get a RME Fireface 400 FireWire Audio Interface

That being said, what does this mean in terms of buying a sound-card or audio interface?
Needless to say, make sure there is clear evidence that the product Has:

1. a driver for your OS. Never presume it does.

2. a driver that insists it works with your application, like Logic, Cubase SX or Sonar.

3. a valid website where you can download drivers

4. an updated driver within the last 6-8 months and supports the latest service packs and OS updates.

5. Looks like driver development is something they take seriously for your computer platform. A company with continuous development. A company may make great cards for PC and says we have a Mac driver too!

6. Looks like they have a good working relationship with software makers, and in product bundles.

It's all too common for new products to have driver issues. Avoid the latest stuff that came out last week. Let someone else be the guinea pig. Don't hesitate to return products that do this especially if you downloaded the latest update and it still has bugs. Remember to always download the latest driver when you get your interface. Do it first, or don't complain.

Read the article "MOTU has Emerged as a Leader in Music/Guitar Software Development" and "Behringer BCF2000 USB/MIDI Controller is a Guitar Players Dream". As other viable sources for information on sound cards and PCI controllers for all of you guitar players.

Sound card is an electronic device used in computers. It is a computer expansion card that is capable of inputting and outputting audio signals to a computer or from a computer. It can be centrally controlled by means of using specific software.

Sound cards are mainly used for:

• Audio editing or mixing
• Video editing
• Inter-active multimedia
• PowerPoint presentations
• Playing DVDs
• Computer games
• Teleconferencing

Sound cards come with a digital to analog converter. This converts recorded audio to analog format. A TSR or RCA jack is used to output the audio to a headphone or amplifier or external sound system. It also has a line in connector which is exploited to get input signals from other sound devices like mini disc player, mp3 player, and cassette tape recorders. The connectors of a sound card are color coded. Plus, they include symbols so as to help users identify proper positioning of each jack. The audio coming from these devices is digitized, can be stored in the computer's hard drive and can be edited using audio editing software. A microphone connecter utilized to input voice recording or for voice chats is also common among many sound cards.

The installation of more than one sound chip in sound cards today can present higher data rates with various functionalities. They are able to generate optimized music and sound effects in real time employing the least data and CPU resources. Modern sound cards are capable of converting from Analog to Digital and Digital to Analog or AD/DA. They also feature more accessible connectors and have more than two channels available. These types of sound cards are mostly used for professional digital audio recording which requires a higher standard audio output.

On the other hand, ordinary sound cards only offer features for playback and casual use as compared to the professional sound cards. These are commonly used for homes, offices, and entertainment. These types of sound cards are limited with large sampling latency. That is, it takes a lot of time for its Analog to Digital Converter to process the conversion prior to transferring to a computer for storage. As a result, companies like Steinberg designed sound cards that are capable of managing multiple audios. However, consumer grade sound cards lack the features and qualities that professional audio requires.

During the early years, computers comprised of integrated sound synthesis chip which is built-in on motherboards. The chip is capable of producing wave tones with different amplitude. One of the computers which adapted this technology is the IBM PCjr which was released in the early 1980s. Later on, a clone of the IBM PCjr, the Tandy 1000 copied the features and improved it by adding capabilities like sound recording and playback. As early as 1990, plug in sound cards have been abolished by computer manufacturers. They then introduced a codec chip capable of AD/DA conversion which is included with PC motherboards. Most of these motherboards use the Intel AC97 specification.

With the development of technology in computer production, a wide variety of sound cards with more features have been introduced. One of these is the USB sound cards which can be plugged directly to a computer through an empty USB port. Cards which are USB 2.0 compliant are more adequate in data transfer and are adept in producing high quality sound. The PCMCIA card bus sound cards are one of the most recent advancements frequently used for laptops and notebook. This device offers great portability which is very ideal for mobile DJs.

The latest sound card technology available in the market today is the Xtreme Fidelity which was developed by Creative, the manufacturer of SoundBlaster series. The technology features comprise:

• Capability of producing a variety of sounds options through its Active Modal Architecture.
• Digital Signal Processor (DSP)
• Multiple processing engines
• 24-bit Crystallizer which prevents sound quality loss which due to 16-bit CD recording

Just like any computer part, a sound card needs a device driver in order to communicate with other devices of the computer and function properly with the operating system. Most manufacturers include the driver bundled with some audio applications and compiled in a CD.

Article Source : Pg. 18

About Author
Both Daniel Lehrman & David H. Urmann are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Daniel Lehrman has sinced written about articles on various topics from Music, Guide Guitar and Music. For more information about Guitar Players Center or
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