"Get your motor running" That's what this band will do to you. I managed to catch this three person combo by accident Friday night in Calgary. They were shaking the walls in some lost eastside pub called Chelsea's, and though the crowd was not huge, we were on fire with this performance. And so was ShadowBeat.

As the night went on I found myself losing time but not wasting it. It was an experience worth living. The little place was a-happenin', as they might say and we all enjoyed many familiar oldies (think John Paul George and Mick) and a few NotHeardThatinAge's.

And then they hit us with a sharp left hook. A few great wing-ding's from the 1990's country line dancing and hat head era. Personally, I don't two-step, but plenty were stompin' their runners to this classic string of hits that included an Alan Jackson favorite of mine and that old Grundy County Auction song. I could tell by the wall posters that country bands frequented this establishment. But this was a rock outfit with a bit of creative dabble.

The first set I saw opened with Born to be Wild by Steppenwolf and by the third or fourth selection we were convinced this group knew their stuff. They weren't much to look at, not having a drummer on stage with them or the heavy-metal concert trappings seen in bar bands of years gone by. It was just the three of them. Dying to have a voice. They were just there. Authentic. In your face. They were good.

I like it when a cover band tries to make the well-known piece their own and have fun with it. Granted, ShadowBeat did not do this with every composition on the setlist but when they did, it shone through, and the effort became worthwhile. You might want to check out the original versions of these songs. I did some Googling and found out that they have their own mini internet broadcast station easily found by entering "Shadowbeat radio". That's where you can hear those originals. Handy. It's at http://www.live365.com/stations/radiosonde1?play

Who would have thought a stage keyboard could be played like that? Not me, that's for sure. Somebody sprinkled this guy with magic dust, or maybe a few extra recorded tracks. It's hard to tell. Wait for "Time of the Season" by the Zombies. It's worth it.

In general, the band takes full advantage of the highs and lows (tempo, dynamics etc.) in the material. When they were tight, it was as good as it gets and the loose rambling between songs kept the feeling quite casual. Nobody was intimidated. With the old stuff I heard that night, you'll go back to your younger days in an instant.