The first Furniture Designers Association came into existence on 25th October 1917, where it formed its first constitution and by-laws. However, it was conceptualized in 1916 in Grand Rapids, known as the city for furniture manufacturing by a local manufacturer Robert W. Irwin. He wanted to promote a good relation between the manufacturer and the furniture designers. Thereafter he arranged for a meeting between the two groups, which was successful Thus, three of the furniture designers William L. Kimerly, J. Stuart Clingman and Thomas Handley determined to form an association for the benefit of both the designers as well as the manufacturers. They encouraged local furniture designers to join the association. Thus, the Grand Rapids Association was formed and E. Berkey Jones was elected as the president, the owner of William A. Berkey Co. along with eighteen skilled furniture designers and all the members of Furniture Manufacturers Association were admitted as the contract members.
Membership
The membership of this association was restricted to only the local furniture designers of Grand Rapids. In 1920, the Furniture Designers Association was restructured and the membership was given to all the certified designers throughout the United States. Initially the associate membership was given to the suppliers and later on granted to furniture design students. The need for a good prospective forced many designers to move out form Grand Rapids. At present, there are numerous furniture designers in Grand Rapids, who design mostly for the market of Southern furniture market in High Point, North Carolina.
Principles
In 1926, Thomas Johnson, the then president declared that the aim and purpose of the Grand Rapids furniture designers is to cooperate and work for the welfare to standardize furniture designs and constructions. At present the association works to stabilize the furniture design standards and to acquaintance and educate the work in the field of furniture designers. It has around 90 members and this has led to more frequent meetings, usually five in a year. The best final year student of Kendall College of art and design of ferris state university located in city centre of Grand Rapids is awarded $1500 every year in December.
Other Furniture Designer Associations:
American Society of Furniture Designers (ASFD)
It was established in 1981 as an international non-profit professional organization. It works towards improving, supporting and advancement in furniture designing. The memberships are not just limited to American furniture designers, but also international professional designers can become a member of American Society of Furniture Designers.
Chicago Furniture Designers Association
The Chicago Furniture Designers Association is formed to encourage the art and craft of innovative furniture design by raising the community of furnishings designers and makers. The meetings are held on every second Tuesday each month. At the Chicago Furniture Designers Association, designers meet and exchange ideas and information on furniture designs and making to broaden their expertise. The association also organizes exhibitions for certified members. Finally, the association encourages designers to work up to widen their interests in furniture designing.
Art Deco Furniture Designers
Poul Kjaerholm was one of the most well known Danish furniture designers who died at the young age of 51. But from the time he graduated from the School of Arts and Crafts in 1952 to the day he passed away, Poul Kjaerholm designed some of the most well known furniture to come out of Denmark. Many of his chairs were prototyped but never put into production which allows collectors of fine furniture to hold onto the hope that the prototypes will eventually be produced by Kjaerholm Productions, the company Kjaerholm's own son started in 2004 in an effort to continue producing his father's work.
Poul Kjaerholm was trained as cabinet maker, but wood was not the only thing he enjoyed working with. During his studies at the School of Arts and Crafts he preferred working with metal with his final project being a lounge chair with metal sides fitted in slotted chromed spring steel. Not one to compromise his designs, everything he designed was simple and truthful, using the natural properties of the material he worked with and making sure even the smallest of detail was exclusive. He found it just as easy to work with steel as he did any other material.
Poul Kjaerholm liked the way steel aged, feeling that when it was polished the right way and the surface was treated properly it looked as beautiful as organic material furniture. Its strength and springing ability appealed to him and he made it a point to work the steel so that light reflected in its surfaces and made the entire piece look artistic. Everything Poul Kjaerholm designed, he designed for open rooms that were well-lit, large, and free plainly designed with his furniture giving the room visual harmony and elegance all at the same time.
Poul Kjaerholm believed that the owners of the furniture could give his styles and pieces color, variation, drama, and movement. For example, a simple vase of colorful flowers added warmth to a steel and glass side table or a colorful pillow placed in the corners of a black upholstered steel leg couch. His furniture is considered in the design world ‘ascetic through the naked perfection and simplicity'. His production line still to this day is small but the purity of his ideas still hold true.
Kjaerholm and Ejvind Kold Christensen partnered in 1955 and Christensen primarily produced Kjaerholm's designs up until Kjaerholm's death in 1980. Two years after his death, Christensen allowed Fritz Hansen, another one of the Danish furniture designers, to take over the production and subsequent sales of what became known as the ‘Kjaerholm Collection'. Ejvind Kold Christensen did not want to see Kjaerholm's work simply disappear and fade into obscurity, especially after a collaboration that spanned close to thirty years between the two men.
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