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Auditioning For The Musical

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Preparing to audition for a part in a musical is daunting at best and petrifying at worst for those whose lives have not revolved around singing since early childhood. Some people just know music from having grown up around it. They seem to breathe it and it oozes out their pores. They know every song from every musical, even the obscure ones. At the least provocation they will start to belt out a song so appropriate to the moment that it's scary, and on key too, hitting every single note. And they don't seem to freeze up in the face of their audience either. While singing, they're in their element.



Not everyone is blessed with such a natural command of the audio waves, or with such finely tuned vocal cords. Nor is everyone able to act natural and at ease in front of an audience while singing.

There's no question that it's fun to participate in a play, and many people are willing to have a smaller role in a community theater production. Many can shine in such a situation. But what about when the only production your school or local theater is planning is a musical, and you know your singing voice is less than angelic?

Perhaps you enjoy lifting up your voice in singing, but others ask you politely (or not so politely) to refrain from joining in so as not to ruin the song. Maybe even you as well as everyone else can hear your voice crack or warble on many of the notes. And yet, you really want to be in the musical, and you don't want to just do tech once again this year.

Here are some tips for how to handle this worrisome event.

Tip #1: Read the script. Know what the musical is about and know the characters. Choose a character to audition for that you are well suited to. The character should have your body type and (obviously) your gender. If you're a large, hairy older male, don't audition for the part of a slim, innocent teenage maiden.

Tip #2: Choosing your music. Choosing the right music to sing for the audition is of utmost importance. Usually, you don't sing a song for the audition that is from the musical. Chose another piece of music. Choose one that is in your voice range, without too many high or low notes. You can choose any song, however, songs from other musicals often provide you with a platform to showcase your strong points. You can usually show a lot of expression and movement with them, and this will show your abilities even if your voice cracks. Songs from musicals are likeable and you can usually find the music for them.

Tip #3: When to start. Don't wait to start preparing for the audition. Searching for the right music can be very time consuming. Sometimes the most important criteria for your choice is not how much you like the song, but whether the music is available!

Tip #4: Finding music for your song. Usually the casting director requires you to bring the music without lyrics on a CD or audiotape or the sheet music for piano. You can buy sheet music online, but you can also get it at a music store or in the music library of a local school. Many songs are available online for free as midi files, although the quality is not necessarily the best. Often you will only have 30-60 seconds to sing, so you can usually find just a portion of the music online, enough for one or two verses and one chorus. Download it, save it and burn it to CD or hook up your computer to your audiotape player and copy it to an audiotape.

Tip #5: Practice, practice, practice. There is no such thing as too much practice. Be sure you have the words memorized so that you never wonder what the next word is. Sing the song everywhere you go when you're alone. Belt it out in the shower. Sing in the car. Practice with the music until you have it perfect to the note. Practice your hand movements, facial expressions and actions too until they have become ingrained and you don't have to think about them. Let the actions follow the words. Use your whole body to sing and sing from your belly, not from your throat.

Tip #6: Consider getting a voice coach. If you're not a singer, this is a very good idea. A voice coach will help you improve your singing and your presentation considerably, and they will give you confidence.

Tip #7: Get a good night's sleep. Go in to the audition rested, not frazzled and worried. Show your best side. Wear appropriate clothing.

Tip #8: Warm up your vocal cords. Before you sing your song at the audition, do all your usual voice warm-ups and more. Warm up your body, too, with stretching and movement.

Tip #9: Dealing with fear. Everybody is scared at an audition. Everybody really wants to get a part; so freezing up is not unusual. The casting director is aware of this. The very best thing you can do is to relax and allow spontaneity in your performance. Show your best side. Show your expressiveness and acting ability even when you know you've missed a note. And don't sing quietly. Stage singers need to make their voices reach the farthest corner of the auditorium.

Tip #10: The actual audition. When you perform your song, forget all your practicing. Just be spontaneous. You know the material very well - now just have fun with it. If you make a mistake, just go right on. (Don't stop in the middle and say "Oops" or "Sorry." Be energetic. The casting director wants to see how well you can act as well as how well you can sing. Keep smiling. If you miss a note, or if your voice won't obey what your mind tells it to do, just keep going and don't look like you think you've made a mistake. And when you're done, give a little bow and walk off the stage with confidence.

Good luck! With a smile and a song in your heart, you'll do well!
Auditioning For The Musical
Each year, casting companies offer open calls. They are particularly useful if the show is new or in an unusual genre (grunge/folk/rock or Tuvan throat singing), if there is a serious lack of actors with the relevant casting requirements (ethnic casting or tightrope juggling), or if the casting directors simply want to know what's out there at the moment. Open calls are usually advertised in the theatre press (The Stage newspaper in the UK is an example). The open call can be quite a demoralising process (not for nothing are they called "cattle calls"), so this article will help you prepare for them.

The first thing you'll see when you arrive is a long queue. Depending on how popular the show is, the queue could be three times round the block, or just a small crowd. Be prepared to stand in the queue for several hours. Even 15 years ago, professional singer friends of mine were kept waiting for 7 hours on the auditions for nuns in The Sound of Music.

What should you carry with you? Your resume or CV and a photograph are essential. If the photograph is not attached, make sure that both the resume and photograph have your name and contact details on. Photographs and CV details often get separated, and it would be horrible if the panel remembered your face but then couldn't find your contact details on the photo. A bottle of water is vital, and either a book or an mp3 player is useful to while away the hours.

You will give your name to the auditions usher or stage door manager, and the audition begins. You might have only two minutes to walk onto the stage, give your name and sing your song. If you're unlucky, you'll have 16 bars. If you're really unlucky, they will ask you for your best single phrase. How do you deal with this?

Remember that the purpose of this audition is NOT to get the job! There is nothing realistic that you can do to make yourself stand out from the 1,000 other auditionees that day. Your task is to be asked back for the invited calls, the ones that follow the public cattle call. Therefore your task is to appear professional, calm and focused. That's it.

If you look professional (dress appropriately, perform to a good standard, interact well with the panel) you will be noticed. If you seem calm you will score points too - cattle calls are difficult situations with a lot of "unknowns" - like not know what time you're actually going to perform, and a vast number of people breathing down your neck! If you are focused, you'll be able to sing your piece to the best of your ability, and lock into the character immediately. Being focused really "reads" well on a theater stage, so the panel will notice very quickly how well you do.

When I'm coaching for the 16bar audition, the key is practise EVERYTHING. The walk in, the hello, the piece announcement, giving the pianist the music (or the backing track), the getting into focus, the 16 bars (decided beforehand, please!), and the exit. Everything is important, even the way you interact with the auditions secretary. It helps to choose song extracts that show your best assets (and that's not always the loudest or highest you can sing). A coach will help you present those extracts in the best way that fits you.

Notice I haven't said what you should sing! Ultimately, in a cattle call your choice of song is less important than how you sing it. I have been on cattle calls where actors singing the weirdest songs have been called back for the next audition, simply because they sang it really well. In a situation like this you want to stack the dice in your favour as much as possible. Take a piece you know really well - that way if nerves strike, and you will still feel secure in your song.

Panels find cattle calls just as horrible as you do, and believe me, they breathe a sigh of relief when someone professional, calm and focused turns up. Normally there are 3 heaps on the casting panel's desk. Yes, No, Maybe. Don't end up in any pile other than the Yes pile.

And if you give a clear, focused, professional performance and follow the rules in this article, you're much more likely to get to sing in the next round and stay in the Yes pile.
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Jeremy Fisher has sinced written about articles on various topics from Keyboard Synthesizer, Kitchen Home Improvement and Keyboard Synthesizer. Jeremy Fisher is the author of Successful Singing Auditions, and trains singers and performers to find and maintain their best. For articles, free downloads and information on effective vocal training, check out Vocal Process, the voice training company t. Jeremy Fisher's top article generates over 14800 views. to your Favourites.
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