The Photoshop plug-ins which are available can help perform tasks much faster and more efficiently than performing these tasks by hand. The 3D plug-ins are used to create 3D images and type very quickly and elegantly. The color management Photoshop plug-ins can create new colors to correspond to the printer that you are using, or the monitor that you are using to create your graphics. The digital asset management plug-ins are used to organize all of the digital images that you have created so that finding the correct image is much easier than without it. The photographic ones give many different professional lens techniques that you can apply to any picture to create amazing effects.

Several computers have different formats for pictures. RAW is a good format that is available for many cameras especially SLRs. One of Ansel Adam's better know expressions, drawn from his early experiences as a concert pianist, was "The negative is the score, the print is the performance". In digital photography, the image file is your score and your photo-editing program is where you perform. For the highest possible quality, you want to start with the best possible score-a RAW image file. These files contain all of the image data captured by the camera's image sensor without it being processed or adjusted in any way. This lets you move the images to the computer and interpret this data the way you want to instead of having the camera do it for you. When you want total control over exposure, white balance, and other settings, this is the format to use because only four camera settings permanently affect a RAW image the aperture, shutter speed, ISO, and focus.Other camera settings are saved as metadata and affect the appearance of the thumbnail or preview images but not the RAW image itself. One thing to keep in mind is that RAW images are not always noticeably better. Where they shine is when you have exposure or white balance problems. Because RAW images have dramatically more information to work with you can open up shadow areas, recover lost details in highlights, and make fine adjustments to colors.

Lossy compression (rhymes with "bossy") can dramatically reduce file sizes. However, this process degrades images to some degree and the more they're compressed, the more degraded they become. In many situations, such as posting images on the Web or making small to medium sized prints, the image degradation isn't obvious. However, if you enlarge an image enough, it will show. The most common lossy file format is JPEG and many cameras let you specify how much they are compressed. For example, many cameras let you choose Fine (1:4), Normal (1:8), and Basic (1:16) compression. This is a useful feature because there is a trade-off between compression and image quality. Less compression gives you better images so you can make larger prints, but you can't store as many images.

RAW files are quite large. If you use this format a great deal you will need more storage space in the camera, and computer processing times may be slightly longer. When shooting images, you may have to wait longer between shots because the buffer gets filled more quickly and the camera is tied up longer processing the last image you took, and moving it from the buffer to the memory card. Since RAW images aren't processed in the camera, you have to process them on the computer and export them in a usable format when you want to e-mail them, post them on a Web site, print them, or import them into another program to create a slide show or publication. When you are done shooting for the day, there is still work to do. Since each camera company has defined its own proprietary RAW format, many operating systems and even photo-editing programs are unable to recognize some or all of these files. For this reason camera manufacturers always supply a program to process RAW images along with their cameras.

As you take pictures, your camera automatically creates and names subfolders within the DCIM folder to hold them (like placing manila folders in a hanging folder). The first three characters in a folder's name, called the directory number, are numbers between 100 and 999. The next five characters are known as free characters and can be any uppercase alphanumeric characters chosen by the camera manufacturer. When a new folder is created, as one is when the current folder is full, it is given a number one digit higher than the previous folder. Some cameras allow you to create and name your own folders, or select among folders the camera creates. This lets you route new images into a specific folder and also play back images from just one folder rather than the entire card.

When an image is saved, the camera assigns it a filename and stores it in the current folder. Filenames have two parts, an 8-character filename and a 3-character extension. Think of them as first and last names. The name is unique to each file, and the extension, separated from the name by a period, identifies the file's format. For example, a JPG extension means it's a JPEG image file, TIF means it's a TIFF image file.

When you take a picture, the camera stores information about it along with the image data. You can also add additional information using some cameras and photo-editing or image management applications. The more information you have to work with, the easier it will be to find an image later. Metadata can sometimes be lost if the file is opened and then saved in another file format. (Or even lost when using the camera's own rotate, crop, or other commands that write to the disk.) However, most applications now preserve this information, although camera companies sometimes store secret metadata that can be lost.