Hans J. Wegner was one of the best of all Danish furniture designers. His work combined excellent craftsmanship and commitment to modern living. His work is today internationally popular furniture design. His work is minimalist but preserves function. The best of his work is his many beautiful designed chairs.
Hans J. Wegner created the Wishbone Chair also known as the ?Y Chair? or the ?CH 24? chair, and was first introduced in 1949, and it is still in production today. Classical portraits of Danish tradesmen and merchants lounging in Ming chairs inspired Wegner to design the Wishbone to reflect that period. The Wishbone chair is the first chair that Hans issued to Carl Hansen & Son manufacturing and thus begun their long and fruitful relationship that lasted almost sixty decades. The chair got its name due to the form of its backrest, and has surprisingly become Carl Hansen & Son's and Wegner's most successful chair by far. The series of chairs were aimed at establishing Denmark as a worldwide forerunner in modern design.
But back in the 50s when it was first released it was not given much attention, the overall feedback was dismal, and only a few had been bought by retailers for their showrooms. But as the years passed, suddenly, consumers began to seek them out and approximately fifteen years later, it had become the number one seller in the Carl Hansen's collection. And over 50% of the yearly production of 17,000 units are kept and sold within Denmark alone, and the other 50% are exported, but Japan takes almost half of that number as well.
The design of the chair is very light and although possessing an armrest it is still a very compact piece of furniture. The semicircular top rail, the curved back legs, the spacious seat, along with the richly done Y-back embellishments, makes the chair visually welcoming and warm. A user of the chair can move freely within the chair, and the backrest renders great support, the armrests are ample enough to provide satisfactory support to your fore arms, and the chair can comfortably be paired up with a table. The Wishbone chair is ultimately very adaptable to any room scenario, and is the apparent choice for dining rooms, and other area that there isn't much space to play with. The Y-chair is a chair that with its unique structure it creates the evidence of spaciousness.
The dimensions of the chair are 70cm high, 74cm wide, 52cm deep, and 44cm seat length. The chair is available in many wood stains, which include soaped beech, black painted or stained, walnut, oiled oak, soaped maple, American cherry, soaped maple, and soaped ash etc. The upholstery choices lie in Woven Papercord of black or natural cord, with an option of seat cushions. There is also a wide rainbow of different colours that it could come in. The Wishbone chair is Carl Hansen's and Wegner flagship product, and since its increase in sales, it has been manufactured in large quantities for the last fifty years, probably making it one of the most mass-produced furniture pieces in history.
Built In Furniture Design
Alberto Lievore is a well-known architect and designer, and was born in Buenos Aires, Argentina in 1948. He was born into a family of Italian immigrants, and even as a child, he had grown into his interests and sensitivity for his simple environment, his family and all his simple possessions. He had begun inventing various objects and creating toys for himself, but as the years progressed he pursued a scientific technical education in chemistry and went into work for an oil company. He later completed his military service and sought to further his love for design and began architecture at the Buenos Aires Faculty of Architecture.
While he went to school, he worked at a cabinetmaker's workshop and as a window dresser, but it was at the workshop that he did design some lacquered furniture for a bank, and it was there that he first met Jorge Pensi. At this time he had acquired a lot more wisdom about his craft and was confident enough to establish his own studio, Hip?tesis in 1972, where he designed furniture to his tastes and showcased his work, and his production aspect was done right there as well. His works ran strongly on the foundations of the vast concept of design, which is fathomed to be a rigorous, cultural discipline and ?integrationist?, as a process that pursues the purest spirit or essence of an entity. He received a lot of local recognition and acceptance, but a few years later Argentina went into its dictatorship period, and this signaled Lievore's departure from his home country.
Alberto went to Spain and spent a little time in Madrid, but them moved to Barcelona, where again he met Jorge Pensi at the Furniture Fair, and he later offered Lievore his position at the furniture firm Alicante, which he accepted. In 1977, he officially settled in Barcelona where he founded a studio in the Berenguer el Gran Square with colleague Norberto Chaves, and afterwards Daniel Perrando, Oriol Pibernat, and Jorge Pensi. Their first project was furniture equipment bought by the Sneka, and just afterward Perrando and Chaves left the team, but Lievore and Chaves remained friends and partners in other projects as well, example a furniture system for kids, Creser would change and grow as they would. Pensi and Lievore worked as a team as well in designing and consulting to firms such as Perobell, Kron and Lamac. And as their firm ?Grupo Berenguer? stated to formulate itself, they started up the SIDI project, which became the platform of contemporary ?good design? furniture in the Valencia Furniture Fair.
In 1984, he started his very own Alberto Lievore & Asociados firm, which allowed him to learn and grow more as a designer, and also evolving as one. It was around this period did he create the Manolete armchair, and it is still considered as an icon of 80s Spanish design. He also designed other pieces like the Rothko chair, Ele Hall tables or his famous Radical chair, which won him the first award of the ?Concurso Nacional de Diseno? at the Valencia fair in 1992. In 1999, he changed the name of his firm to Lievore Altherr Molina, as other designers Jeanette Altherr and Manel Molina joined the lineup, and helped expand his business to other arenas that he alone would have not attained. It was in that same year he was recognized for his coherence and quality of his work with the National Design Award from Spain.
He still continues his incredible work with his firm, attaining worldwide acceptance and notability with his partners for their brave and bold furniture designs that go across the board.
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