Starting in 1909, an Italian company called Dalmine started manufacturing seamless steel tubes on commercial basis making it accessible and affordable to the common man. Back then the times known as the Bauhaus era, it was a different concept. Designers believed in creating furniture that is light, durable and not so tight on the pocket. Materials like molded ply were popular, the times were great for masses.
Then in 1914, a Japanese company Nippon Kokan Kabushiki (NKK) started manufacturing steel tubes, and by 1954 we had two manufacturing companies in Latin America. The period in between is filled with evolutionsâ??in Europe, in 1920s, an entrepreneur lady Charlotte Perriand took the first step towards incorporating modern material in furniture. It was her passion that made her to transform her bâ??ful garret-style Parisian apartment into a workshop, and she started to design and build metal tubular furniture from chrome and aluminum for a "machine age interiorâ??.
After about seven years, in 1927, she held a show at the Salon D'Automne. Her modern ideas and concepts were much admired; especially her rooftop bar design that drew much attention. After the show, Le Corbusier decided to hire her as a furniture designer for his Atelier. She designed furniture with human comfort in mind, some her popular designs being the slingback chair, the LC2 Grand Confort,, the LC2 Grand Confort and a chair for sleeping - B306 chaise lounge using tubular metal as supporting frame.
It was in 1926 that Mart Stam carried with him to a conference in Berlin a prototype of his model, the classic tubular metal Cantilever Chair. It inspired other furniture designers such as Mies Van der Rohe, Lilly Reich, Marcel Breuer, and Eileen Gray to devise their own cantilevers.
At the Chicago World's Fair in 1933, there was an Exhibition displaying a large number of tubular steel furniture. Calling steel as a â??naturalâ?? material, the exhibition inspired using steel, it being steel age, inviting people to join in the modern times. The Chicago and Grand Rapids Co. of Michigan, began producing large quantities of tubular steel furniture soon later. Donald Deskeyâ??s line of metal furniture was mass-produced around 1930 by the Ypsilanti Reed Furniture Co. A 1930 ad for the company pointed out that Ypsilanti Reed had pioneered steel furniture in America. In the USA, by 1933 the Howell Co. of Geneva in Illinois began mass-producing tubular steel furniture, including the best-selling "Beta," a chrome-plated, tubular steel and upholstered chair, as well as other innovative chair forms, such as the "S" chairs, with their bent metal frames, that were produced and sold in high volume throughout the 1930s. Gilbert Rohde was among the first American innovators who worked with bent metal to create innovative furniture designs.
The Second World War witnessed many changes in design, followed by manufacturing units moving to US from Europe. Charles and Ray Eames, a team of husband wife are credited with developing innovative metal designs during 1940â??s and 1950â??s for the Herman Miller Co.
Times have evolved since. Some original tubular designs for modern homes can be witnessed in the making of Marshmallow sofa, Wassily Chair & Eileen Grey Table.
Contemporary Modern Furniture Stores
The lovely lines!
The most outstanding feature of mid-century modern furniture is the clean, lovely lines. As a sharp contrast to the furniture that pre-dated the 1950s, mid-century modern designers found beauty in lines that were sleek, uncluttered, and clean. Smooth lines epitomized the modernity these designers wished to emulate.
Mid-century modern furniture is easily spotted by its streamlined appearance. Using clean lines to create sculptural elements, the simplicity of the line design is what makes mid-century modern furniture continue to be relevant in today's homes. Those who earn the credit of defining these streamlined lines are designers like Charles Eames, Euro Saarinen, Anne Jacobsen, and Miles van der Rone.
Prevalence of teak
Along with the infusion of man-made materials, including fiberglass, was a tremendous affection for teak wood in mid-century modern design. With the large Danish influence on modernism, the wood's warmth and strength was embraced by a WWII-tattered world looking to find serenity. In addition, from a design perspective, teak provided an excellent backdrop and accent to the interesting colors and textures prevalent in mid-century modern design.
Rainbow of colors and textures
Bursting onto the scenes of mid-century modern inspiration was a plethora of unique textures and colors. By emphasizing the contemporary outlook of the home, mid-century modern design wanted to forget the past, but rather emphasize the hope (of a peaceful world) that the future held. Thus, mid-century modern design saw a great plethora of colors and textures that were mixed together in great creativity.
A quintessential example of the mixture of colors and textures are presented in the two most popular mid-century modern furniture pieces today: the Eero Saarinen womb chair and the Eames fiberglass chairs. Seen today, as well as in modernism magazines from the mid-century, the yellow Knoll womb chair was beautiful paired with the red Herman Miller chair made of fiberglass. White furniture was also used frequently, as well as white accents, to create that clean, smooth look that tied together all the textures and colors.
Use of cutting-edge materials (at least, for that era)
Turning the traditional woods on its head, mid-century modern design introduced the mass appeal of man-made materials that were not previously found in furniture. Plastic becomes an important element of mid-century modern furniture, including Bakelite on table tops, along with Plexiglass and Lucite. A classic example of the use of nontraditional materials is Eames? LAR Low-Low armchair made of fiberglass, as well as the tulip armchair by Saarinen.
The tremendous popularity of mid-century modern design in today's interiors is indicative of the timeless appeal of great designers like Herman Miller, Eames, and Saarinen. 60 years later, people are paying top dollar for authentic, valuable mid-century modern furniture pieces.
Both Amanda Somers & Grace Light. are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.