The primary characteristic of a bass drum is that it produces indefinite or low-pitched sound. We can generally classify them into concert bass drum, pitched bass drum, and the kick drum. As the name suggests, concert bass are used in concerts or orchestras. The kick drum is, usually, seen on drum kits. It is attached to a pedal and is stuck with a beater to generate music. Marching bands and drum corps use the pitched bass.
When two bass drums are used operated by each foot it is called the Double bass drum. It was used as early as in the 1940s and 1950s. Louie Bellson, a jazz drummer, first formulated the idea of using two bass drums. He was in the high school then. Earlier, two pre-tuned bass drums were used as a double bass drum. Later on, with cost of electronic extension getting lower, double pedal was employed. Now, the tuning has also become easier.
Ray McKinley and Ed Shaugnessy were the first to use the double bass drums in jazz concerts. However, Ginger Baker of Keith Moon of the Who, created public approval for them. Music is a form of experimentation, and drummers are no slouch in using trial and error method in creating new and exciting beats.
Drummers have used two different tuning for each bass drum. They also have tried working with two drum beaters with more than two pedals.
Double bass drums have been popular with some form of extreme punk, heavy metal and jazz. Both, heel-up and heel-down methods are being used in playing double bass. A difficult technique to use is the heel-toe technique. Here the first note of the composition is played with the heel, with the feet being suspended over the footboard.
For the budding drummers the tip is to develop the technique of playing the double bass drum in the right way. This would save valuable practice time in the future for the drummer, both novice and intermediate alike. If a beginner can learn around 20 drum beating techniques from an experienced drummer he can then progressively build up his drum skill.
This also helps in building up the speed drumming process. Not only experienced drummers can help an aspiring drummer but there are video tutorials also which can help improve the double bass drums beating skill.
Here are some important points related to double bass drumming techniques:
- Heel-down is harder to accomplish than heel-up technique. It also is harder to gain speed with this technique.
- It is difficult to not find the sweet spot and still attain the maximum speed. To find it, one needs to find the center of the pedal and then need to place the groove between the toes and the foot.
- One of the better ways to attain the balance of playing double bass drums is to sit up straight.
- Another proper way is to find out the proper muscle position while playing the drum for a long time. Some postures will help the drummer to play for a long time with less exhaustion.
- Ordinary calf raises is a good exercise to help in getting strength in the calf-muscle area.
Double Bass Drum Technique
I often get asked about double bass drumming, recently I received an email from a young drummer that wants a quick way to get his feet going on double bass drum patterns. He cited some of his favorite metal music bands and drummers. He was very down because after a few weeks of trying to play it, he was basically getting nowhere. He asked about the heels up or heels down positions and he said he wasn't getting much volume from his bass drum. He wanted tips on getting started on developing his double bass ability.
Getting Your Double Bass Chops Together
Reality check first the reality is that professional drummers, known for their proficiency with double bass drum playing spent years practicing like obsessed maniacs to develop their speed, endurance, and muscles. Unless you are a one-in-a-billion exception then you are not going to get that good in a few weeks. It's gonna take a lot of work.
First get your feet in position a few drummers may disagree, but I contend that the speed and power you are going for, is best achieved using the heel up technique. Although I have seen some double bass drum players use their legs for making the strokes, the more typical technique for fast playing involves the ankles. That's the technique I use, and therefore the one I will discuss.
Volume and Power
Now depending on which drummers we might use as an examples, you need to know that many of them actually get the volume via the sound system. Therefore, for the time being, I suggest that you focus on the playing the patterns and keeping them steady. Volume can be addressed later.
Equipment factors you need to make sure you set the height of your drum throne and the position of it (in relation to your feet on the bass drum pedals) to where your feet just hang naturally over the pedals. The idea is to get your legs into a position where your ankles can move freely in order to generate speed and control. Spend some time getting this position established because it is the basis of the balance you'll need for playing double bass drums.
The length of your beater stroke, the tension on your bass drum pedals, and the amount of rebound the beaters get off of your bass drum heads (because of the tightness or looseness of your bass drum head) are all very significant factors. You will have to experiment to find the right combination of those variables for you. Perhaps you will even need to make some trade offs to come up with a combination that sounds good and yet still feels good to you.
The physics of bass drum pedal speed
Imagine trying to play fast bass drum patterns with very long beater stroke lengths (the travel distance) plus loose spring tension on the pedals (the way the beater comes back to ready position) plus a very loose bass drum batter head (which has little rebound). That would take some absolutely phenomenal foot work. There are some minor adjustments would make it so much easier.
These adjustments will improve the efficiency of your pedal strokes. The length of the beater stroke has to be long enough to generate solid beater impact, but not necessarily from a ninety degree angle or "all the way" back. I'd start with about a forty-five degree angle stroke and then adjust it to whatever feels best to you. Somewhere is that general range is most likely going to be a good "feel" for you.
Next the pedal spring tension has to be tight enough to return the beater back very quickly to make the next stroke. You need to let the pedal help you. That's why a loose spring tension is just going to feel sluggish and will slow you down rather than helping you. The beater also has to bounce off of the batter head. Not sink into it. So if you are a drummer with a normal bass drum stroke that sinks the beater into the bass drum head (and holds it there) rather than one that lets it rebound off the head (much like a snare drum stroke), then you're going to have to change that style for fast double bass drum patterns. You'll never play thirty-second notes on your bass drums by sinking the beater into the head.
Exercises when you are not at the drum kit Louie Bellson was the first drummer to really bring double bass drum playing to popularity. I had the fortune to meet him, when he was here in Nashville visiting my friend Larrie Londin. We talked about double bass drums and he shared something that, at first, really surprised me. I'll share that here. He told me that one of things that helped him master the feel of playing double bass drums was his ability as a tap dancer. He said that his bass drum playing had a feel similar like he was tap dancing on the pedals. Well, I'm not a tap dancer, but I watched him do it. And it made a lot of sense to me. It was all in his fast moving ankles! Now I point this out, not to suggest that you take tap dance lessons, but to suggest that even when you are not at your drum kit that you can do some exercises that will develop your ankle muscles.
Exercises
You can do this by sitting on a stool or chair (perhaps with something in the seat that helps raise your heels a bit off of the floor-if needed) and, with heels up, start tapping out an eighth note pattern. Focus on keeping the tempo even. If you can't do it at the tempo you first attempt, then just slow the tempo down. Stay with that slower tempo until you can keep the eighth note pattern steady and even. Then speed it up a bit and master that. After all of these years of playing double bass drums, I still do this exercise daily.
Review of my tips
Get your pedals and bass drum heads adjusted for your best overall sound and feel. Get your throne height and position for the best balance. The speed and control is going to be coming from your ankles not from your legs. Remember, for fast playing, - the beater has to bounce off of the bass drum head quickly in order to get ready for the next stroke. Practice slow eight note patterns first. Master the slower tempo, and then move up to a little faster tempo. You are working on the ability to keep the pattern even and steady. If the strokes sound choppy or uneven, then you are not ready for a faster tempo yet. This is a building block endeavor for you. There is no point in trying to pound out blazing thirty-second note patterns until you can play steady eight notes evenly and effortlessly.
Do your feet exercises whenever possible to build up endurance and feel. Practice. Practice. Practice. Then practice some more.
Many times, nothing of value comes to us easily. But if playing double bass drums was easy and everybody could do it, then it wouldn't be a big deal would it? Stay committed and have fun.
Both Victor Epand & Pasha Yash Chuk are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
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