In Egyptian mythology, Khepri (also spelt Khepera, Kheper, Chepri, Khepra) is the name of a minor god. The origin of belief in Khepri lies in the observation that dung beetles have a habit of pushing large balls of dung around, and so some Egyptians came up with the idea that the sun moved across the sky because it was being pushed by such a beetle. Since Khepri was considered to push the sun, he gradually came to embody aspects of the sun itself, and therefore was a solar deity. To explain where the sun goes at night, such pushing was extended to the underworld, Khepri's pushing of the sun being ceaseless.
Since the scarab beetle lays its eggs in the bodies of various dead animals, including other scarabs, and in dung, from which they emerge having been born, the ancient Egyptians believed that scarab beetles were created from dead matter. Because of this, they also associated the Khepri with rebirth, renewal, and resurrection. Indeed, his name (kheper in Egyptian) means to come into being. As a result of this, when the rival cult of the sun-god Ra gained significance, Khepri was identified as the aspect of Ra which constitutes only the dawning sun (i.e the sun when it comes into being).
Subsequently, when Ra and Atum became identified as one another, Khepri, which was Ra's young form, became conflated with Nefertum, which was Atum's. This lead to a cosmogony where Ra, as Khepri, a beetle, resulted from the Ogdoad's activities, and emerged from a (blue) lotus flower, only to immediately transform into Nefertum, a youth, who, after growing up, masturbated the Ennead into existence.
Khepri was principally depicted as a whole scarab beetle, though in some tomb paintings and funerary papyri he is represented as a human male with a scarab as a head. He is also depicted as a scarab in a solar barque held aloft by Nun. When represented as a scarab beetle, he was typically depicted pushing the sun across the sky every day, as well as rolling it safely through the Egyptian underworld every night.
As an aspect of Ra, he is particularly prevalent in the funerary literature of the New Kingdom, when many Ramesside tombs in the Valley of the Kings were decorated with depictions Ra as a sun-disc, containing images of Khepri, the dawning sun, and Atum (the setting sun aspect of Ra).
Egyptian God And Goddesses
In Egyptian mythology, Ptah (also spelt Peteh) was the deification of the primordial mound in the Ennead cosmogony, which was more literally referred to as Ta-tenen (also spelt Tathenen), meaning risen land, or as Tanen, meaning submerged land. The importance Ptah was given in history can readily be understood since the name Egypt derives from a Greek spelling of the phrase Ḥ.wt-k3-Ptḥ, (sometimes transcribed Hat-ka-Ptah), meaning temple of the Ka of Ptah, the name of a temple at Memphis.
It was said (in the Shabaka Stone) that it was Ptah who called the world into being, having dreamt creation in his heart, and speaking it, his name meaning opener, in the sense of opener of the mouth. Indeed the opening of the mouth ceremony, performed by priests at funerals to release souls from their corpses, was said to have been created by Ptah. Atum was said to have been created by Ptah to rule over the creation, sitting upon the primordial mound.
In art, he is portrayed as a bearded mummified man, often wearing a skull cap, with his hands holding an ankh, was, and djed, the symbols of life, power and stability, respectively. It was also considered that Ptah manifested himself in the Apis bull.
In Memphis, Ptah was worshipped in his own right, and was seen as Atum's father, or rather, the father of Nefertum, the younger form of Atum. When the beliefs about the Ennead and Ogdoad were later merged, and Atum was identified as Ra (Atum-Ra), himself seen as Horus (Ra-Herakhty), this led to Ptah being said to be married to Sekhmet, at the time considered the earlier form of Hathor, Horus', thus Atum's, mother.
Since Ptah was the primordial mound, and had called creation into being, he was considered the god of craftsmen, and in particular stone-based crafts. Eventually, due to the connection of these things to tombs, and that at Thebes, the craftsmen regarded him so highly as to say that he controlled their destiny. Consequently, first amongst the craftsmen, then the population as a whole, Ptah also became a god of reincarnation. Since Seker was also god of craftsmen, and of re-incarnation, Seker was later assimilated with Ptah becoming Ptah-Seker.
Ptah-Seker gradually became seen as the personification of the sun during the night, since the sun appears to be re-incarnated at this time, and Ptah was the primordial mound, which lay beneath the earth. Consequently, Ptah-Seker became considered an underworld deity, and eventually, by the Middle Kingdom, become assimilated by Osiris, the lord of the underworld, occasionally being known as Ptah-Seker-Osiris.
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