A writer friend recently confided in me that when he's having a low or unproductive writing day he asks himself ? what did I do today that will move my writing career forward? And, he said, he's usually surprised to find that he did a whole lot more than he gives himself credit for. To paraphrase somebody ? most of life is spent standing in line for something. But if it weren't for sometimes tiny, pixilated steps, the larger picture can never come into focus. Five areas of your writing life that could just collectively bring a career to fruition are:
Write Promote Network Learn Live well
That's right: WPNLL ? pronounced ? wipnill?
So consider adding the following to your daily regimen:
WRITE every day. You might have more than one project you're working on; tend to at least one of them. And yes, generating ideas and spitballing is most productive and falls under this category, absolutely.
PROMOTE your material. Write and send query letters, enter screenwriting or prose competitions, follow up on calls, meetings and queries. Stay very on top of who has your material, when you'll hear back and what new opportunities have since cropped up.
NETWORK both with other writers and with professionals where possible. If you belong to a message board about writing or screenwriting, visit it daily seeking to build relationships. If you blog or read blogs, visit and comment. Keep building those relationships. Are you signed up for a class? How about a one hour Learning Annex course? Perhaps there is a community film festival or book faire happening? Sign up. Continually seek opportunities large and small to create, sustain and nurture relationships with other writers and filmmaking aspirants of any stripe. Networking is a powerful tool. It's hard to overstate.
LEARN more about the craft and the business constantly. Follow the trades. If the Hollywood Reporter or Variety are too much to absorb regularly, read Entertainment Weekly ? a quasi-trade with pull-quotes, box office and celebrity news. Subscribe to Creative Screenwriting, Script Magazine or Written By. Sign up for classes, read books and see a lot of movies. Prose writers should subscript to Poets & Writers or Writer's Digest.
LIVE WELL by taking care of your essential core. We writers are sensitive souls. Pouring our hearts out onto the page is what we do. So be sure to exercise, get enough sleep, meditate or in some way return to your creative, essential self so that you can sustain and nurture the energy required to do steps one through four above. This one cannot be overstated or over-emphasized either. A burnt out writer doesn't produce good material and isn't fun to hang around with. Put your wellbeing before all else because everything you produce flows outward from that.
Know that life is good and writing is joyful. If this feels like work ? well, it should, there's no candy-coating that ? but it shouldn't feel like drudgery. Remember, nothing worth having comes easily. Any writer who makes a living at it is one who has worked long and hard for the privilege.
Unlike the stories or scripts we write, real life moves at a much slower pace. But if you can, do one thing to move your career forward today. Maybe it's that you just read this. Maybe you went hiking and had a great idea and stopped to write it down. Creation is the highest form of human expression. Tend it well.
Each day: Write, Promote, Network, Learn and Live Well. Wipnill?.
Side effects may include: career opportunities, happiness, productivity and joy.
Copyright (c) 2007 Julie Gray
Five A Day Vegetables
Simple things matter. Young children want their parent's attention. This is why good behavior, appropriately praised, tends to be repeated - the child knows that the parent will take the time to tell the child that they are pleased. Sometimes, children go to extremes of bad behavior (for example, shouting or tantrums) in an attempt to get their parents to pay attention.
Every day, your child needs your undivided attention. This might be for as brief a period as five minutes - but it has to be time totally devoted to them. Reading the newspaper and half-heartedly listening to your child doesn't count! Show that all of your concentration is just on them. Answer their questions or become completely absorbed by what they are doing or telling you. You just have to be fully engaging with them. One obvious opportunity is at the end of the school day, when you ask how they got on - and really try to understand the importance of what they have to say.
Don't let your child think they're being interrogated, or they will try to end the conversation as soon as possible. Children often don't like to be asked direct questions. Talking around the subject can be a better way of helping them to open up. A simple comment can sometimes get them to start speaking - try "I think you've worked hard today!" or "You looked really happy when you heard Gran was coming to stay" or "I'll be glad when it's the weekend - I love it when the family is all together". Talking about feelings means the child is very likely to respond. They know they are the only ones who can say how they feel - so there can't be a "wrong" reply.
Even speaking on the phone, if you can't be with them, is a chance to make your child feel valued and respected. You just have to be sure that there aren't any distractions. Don't call them when you're sitting in front of the TV or computer. Or driving. You have to concentrate harder on a phone call for it to be meaningful to a child. You have to make up for the fact that they can't see you smiling at them, or that you're nodding to encourage them. Make yourself comfortable and close your eyes if you can - try to picture their face as they speak to you.
When a child realises that every day without fail, you will find the time to talk to them about what really matters to them, their unwanted, challenging behavior will start to peter out. You'll understand them a bit better - and the whole house will be more harmonious as a result.
Both Julie Gray & Brendan Mckeogh are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
Julie Gray has sinced written about articles on various topics from Writing, Writing and Writing. Julie Gray is a mom, screenwriter and script analyist currently residing in Los Angeles, CA.
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