There are a few reasons for framing your art piece. Firstly, it prevents the art work from dust and dirt; it also prolongs and preserves the life of the art work, and prevents it from fading and sustaining damage over time. Aesthetically, a frame also makes the art work look more presentable, and helps to bring attention to the art work.
Framing is especially essential for reproduced prints and posters. When simply stuck on the wall without any framing protection, the print will start to tear on the edges and some of the color may also fade out within a short period of time.
When choosing a frame, avoid picking one that is the same color or tone as the wall the art work is to be hung on. For example, do not use a white or pastel colored frame for a white wall. Find a frame color that contrasts the color of the wall. For example, on a pastel colored wall, a dark frame color, like brown or black will do nicely. In my opinion, black or brown are the most popular choice colors for frames, but sometimes metallic colors like silver and gold do nicely as well, it all depends on the theme decor of your home. Never pick a loud color like red or yellow as the frame color. In my experience, these colors almost always never look good as frames. Unless you're framing a picture of Mickey mouse in your child's playroom, avoid these colors like the plaque.
On the other hand, also be careful not to pick a frame that takes attention away from the art piece itself! Remember, the artwork is the center of attention, not the frame. Find a frame that compliments the art, not compete with it. In any case, if you're still unsure, always consult a qualified interior designer, artist or a framing specialist for advice on the best choice of frames to use.
The design of the frame should also match the surroundings, for example, a frame with a lot of intricate carvings may be pretty to look at, but may not be suited for the modern, contemporary home. Such frames would do well in a Victorian styled decor. If you're finding a frame for a contemporary interior, you should choose one that's simple and minimalist.
A framed art piece consists of several components, namely the art piece itself, the frame, the external glazed surface that is placed over the art work to protect it, and a mat. The frame itself is fairly straightforward. Most of them are made of wood, though there are some that are made of metal.
The clear protective glazing layer is made of either glass or acrylic. Acrylic, more commonly known as Plexiglas, is more recommend due to its lightweight and impact resistance. Higher quality acrylics may offer enhanced features like non-glare and UV protection, thus providing even greater protection for your art piece.
The mat is used for 2 main reasons; it serves as a support for the art work, to prevent the art piece from being damaged through bending and folding. It also helps to create a separation layer between the art work and the glazing so that the glazing is not directly “touching” the art piece, damaging it in the long run. Most framed art pieces come with a single mat layer, although you can choose to have double, even triple mat layers. Having triple mats would add extra depth to the art work.
When choosing a mat color, you might want to go with a neutral color, like whites, cream, ivory, sandstone, pearl, grays and blacks. Neutral mat colors not only take a back seat to help enhance and guide the viewer's attention to the art work itself, it also can easily be fit into any room, without seeming out of place.
As a general rule, choose a color that is no lighter than the lightest color within your art piece, no darker than the darkest and no brighter than the brightest. This way the mat will not outshine the art work and steal the attention away from it. Light colored mats tend to make the picture seem larger and your perception more "open" or outward. Dark colored mats seem to turn your eye inward; creating a “tunneling” effect and making the picture seem smaller then normal.
Happy framing!
Copyright 2007 Edwin Mah
Framed Art And Prints
You've finally bought that art print you've been eyeing and are looking forward to showing it off to your visitors and friends, but before you start hanging it on the wall, you might want to spend a minute or two to consider how these prints were made. That piece of art that you bought is certainly not the original. It is a reproduced print made from the original art work. Art prints are created using different printing processes, and you may have come across these different terms as you were making enquiries and shopping for your print. Before making your purchase, it would be helpful to know the printing process by which your art print was made. Below is a brief description of some of the more common printing methods for art prints:
Giclee Print
pronounced as zhee-klay, it is a French word which means a spray or spurt of liquid. The name is descriptive of the way in which the print is created. A giclee is basically a digital printout of the original art work, created from digital scans of the original.
Once the scan is made and the image digitally archived, a sophisticated printer then makes a high resolution printout with high quality inks. The printer does this using a fine stream of ink, resulting in vivid, pure color with exceptional detail. A giclee can be printed in various sizes and onto various mediums like canvas and photo paper.
An advantage of giclee printing is the high level of accuracy and richness in color. Another advantage is that it enables artists to make easy reprints of their work to be sold, as and when required, or in bulk. It also avoids the heartache of selling off the original painting.
Lithograph
A lithograph works on the principle that water and oil do not mix. A hand-made lithograph is a print made by drawing with an oily substance such as crayons and pencils on porous stone or metal plates. An Oil-based ink is then applied to the moistened stone that adheres only to the lines drawn. The plates are then pressed onto a sheet of paper to produce the final print.
Serigraph
Serigraphy, or screenprinting, is a stencil printmaking process in which high quality paper is placed beneath a screen (or stencil). Ink is then applied over the screen using a squeegee. The screen has certain portions cut out so that the ink can be transferred onto the paper below. This process is then repeated for different screens and color until the final picture is complete. Screenprinting can be used on a variety of surfaces such as textiles, ceramics, metal, wood and paper and is commonly used in industries from clothing to product labeling.
Monoprint
A monoprint or monotype is a printing process whereby the artist paints a design onto a plate using a low drying ink. The image is then printed before the ink dries. One characteristic of monoprints, as the term ?mono? implies, is that only one unique impression can be made using this process. That is, no two prints will ever be alike.
Canvas Transfer
A canvas transfer is a process of transferring an art work from a print onto a canvas. A special chemical is applied onto the art print, which when dried, can be separated from the paper and transferred onto a canvas. The canvas is then stretched across a frame and an artist will then apply brushstrokes to create the texture found on the original art work. The end result is artwork on the canvas that looks very much like the original.
