Abstract art movement has always looked to pry on the fleeting concept of reality. It believes in tracking this illusory theme through visual dynamics without referring to a single norm in the world. Landscape paintings have looked to depict various natural objects and contoured them through enhancements and depressions to create an effect of breathtaking scenery. The marriage of these two niches of painting has brought forth the concept of abstract landscape paintings.
Today, people are also looking to delve into semi-abstract landscape paintings. There are various mediums and surfaces which can be experimented with. Such paintings bring us closer to the knowledge of geological underbelly which creates ripples on the surface of land. Geometrical stained glass on glass mosaics are quite a novel concept tried radically these days. The works beautifully combine the unshakeable precepts of geometry with secret science of abstraction. Such passionate works can be a welcome break from the traditional representations that painting can provide.
Landscape paintings can relate to various moods and objects. It can be about valleys, streams, river, forests and springs. It deals with perfect binding of contours so that the scenery gets a three dimensional feel. Abstraction in landscape has augmented the entire concept of the traditional landscape painting. It seeks line, form, color and orientation in what is largely an illustrative art form. This is a beautiful marriage of principles. Reflections of sunrise and sunset are one of the most attempted topics of abstract landscape painting art.
Sunlight falling on a tree creates shadows, shadow varies in length. These shadows are tracked in abstract landscape paintings and given a different meaning altogether. Further, the abstraction element can add a very different appearance to a single landscape. It's not about what it does; it's about how it does and performs it with a linear symmetry.
Abstract landscape does not see a natural image as valley or a tree. It sees it as shapes and colors. It tries to formulate a narrow peaked valley and dotted stream of small roads curving at a particular angle towards a linear path where simple landscape painter would have seen mere roads and valley criss-crossing each other. If one can ably search the patterns, rhythm ands orientation then he can seek the abstract within a mundane landscape. Colors and shapes can intermittently run smoothly and then break apart to give a sense of space and time to an abstract landscape frame.
Oil is the most proclaimed medium in trying abstract landscape paintings. Firstly it is the favorite of canvas. Linen canvas with primary coats does not stretch at all. This creates emphasis of texture and hence helps in contrasting texture with the oil medium to create a better impression of oil. Oil can look to create a welcome effect of layering which is quintessential in creating an abstract landscape. Acrylic is being used more and more today to provide the desired tone to abstraction.
Landscape Painting How To
From the time I was a kid I was an early riser, and from a young age I could not be persuaded to stay in bed after six AM, despite my parents' best creative efforts to try and get me to sleep in a bit later. They eventually gave up trying and from then on I was allowed to get up, under the condition that I watch television quietly by myself. The main issue with this scenario was that at the time Sunday morning television was not really geared towards youngsters, so I started watching a show in which a rather odd Frenchman was going about painting landscapes using oil colors.
The only reason I watched this show was because at that time of the morning I had a choice between the weird Frenchman and his oil paintings, the shopping channels or religious programs. With time I actually became quite fascinated by his comforting voice and the way he was creating pretty landscapes with his colors and brushes. I became so fascinated, in fact, that I felt an urge to try it out myself, as he was making it look quite effortless. As a young kid, however, my art arsenal was limited to crayons.
It became my Sunday morning routine: I would get up at six in the morning, switch the TV on to the oil painting show and sit on the sofa, armed with paper and pastels to try and copy the landscapes showing in the program. I got some pretty impressive drawings, but didn't quite compare with the sort of work the show host was churning out week in week out. It dawned on me that what I needed was oil paints, but being seven years old it proved to be a tall order: I couldn't quite just go out and buy some, and I didn't quite manage to get my parents to buy some for me either.
Looking around for a creative solution to my problem I thought that my mother's make-up bag would be a fairly good approximation of an artist's oil painting materials. I found a disused box to mix the colors on as if it was a pallet. I then set out mixing all the various types of make-up with a smooth texture that I could find: I also discovered that I could also tone down the color of lipstick, blusher and eye-shadows by simply adding a bit of light tan foundation. The blusher came with an application brush that turned out to be perfect for painting, and the mascara brush helped achieve really neat texture and shading.
My artistic future was however nipped in the bud as soon as my mom realized what had happened a few hours later, and I was told never to paint again. This also killed my next idea which was to start painting using foodstuff. In the end I stopped watching the show altogether as I found it way too frustrating not to be able to come up with my own creations too.
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