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Landscape Painting In Oil

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There is something quite magical about painting outdoors. I feel comfortably secluded with nature having an almost spiritual connection when I paint a landscape. Landscape painting is a passion of mine. I would like to share some tips and techniques that I have become accustomed to using over the years.



My first bit of advice - try not to get overwhelmed by the scene in front of you. I recall when I first began painting landscapes; I tried to copy everything exactly as I saw it. I tried to squeeze in every detail, paint every leaf, branch, and blade of grass. You will go crazy approaching a landscape this way. Try and paint your own impression of what you see and not a copy of it. Squint your eyes and see the landscape as a series of shapes, lights and darks, as opposed to seeing every detail. You can accomplish some amazing things that you never thought were inside if you just relax and let the painter inside come to the surface.

Painting on location is certainly a beautiful experience, but remember that you have to paint quite fast as the lighting will change quickly. Begin your painting with a larger brush so you are not focusing on detail at this stage.

Try toning your canvas with acrylic paint first before applying your oil paint. I find starting a landscape with toned ground makes it easier to judge values. You can also let some of that underpainting show through in some areas of your painting for an interesting effect.

Creating the illusion of depth or distance in your paintings can be accomplished using different techniques. You can adjust your colors by making them cooler and less intense for the distant objects, warmer and more intense for closer objects. Reduce the size of objects as they recede. You can also take away details and sharp edges to make objects appear more distant.

You should have a focal point, otherwise known as "center of interest" in your painting. All other objects in your painting should not compete with your focal point and should serve to draw the viewer to your center of interest.

Instead of jumping right for the paint, use a pencil and paper instead. Drawing is great practice. When I am drawing, I am more relaxed and intimate with the scene. I am training myself to see the various lights and darks of the scene without the use of color.

Bring only those items that you know you will need and use. When you focus too much of your time on lugging around unwanted materials, it takes away from the enjoyment of what you came there to do, paint!

Painting clouds appears to be one of the bigger challenges for beginners; I know it was for me. What I mentioned in the beginning about trying not to paint every detail applies to clouds as well. Clouds are three-dimensional objects made up of water and ice particles that reflect light so the color of your clouds will vary depending on the weather and lighting conditions. Remember general perspective rules when painting clouds. Clouds closer to you will generally be more detailed. As they recede into the distance they begin to lose detail and get smaller in size. Pay special attention to the edges of the clouds as sharp edges advance while smooth edges recede.

Make your composition as interesting as possible by balancing positive and negative space in your painting. The negative space is what surrounds your objects or positive space. The negative space is just as important as the positive space. Do not neglect the negative space, but at the same time, do not let it dominate your composition.

I hope this article on landscape painting tips was helpful. Just relax, let go and most importantly enjoy yourself!
Landscape Painting In Oil
When I was a small child, I would rise at the first sign of dawn. I would not sleep past six, even when my parents begged and pleaded with me to just sleep a little longer. After they came to the conclusion that my internal clock was on its own time schedule, they decided that I could go ahead and get up as long as I quietly watched television. This sounded good, but in reality, there was really nothing on at six on a Sunday morning. One morning, though, I came across a show with a strange French guy who was painting landscapes with oil paints.

I began watching this show, simply because it was a little more interesting than watching church programming or infomercials. Eventually, though, I began to find that I was enjoying watching this man paint his beautiful landscape paintings. His smooth voice and strokes would quickly create trees and streams, simply by moving his brush across the canvas. He made it look so simple and easy, so I thought that I could create some landscape paintings myself. My paintings would have to be in crayon, however, since that was the only art tool that I had access to.

Thus began my habit. Each Sunday morning, I would wake at six and begin watching the landscape painting show. I would try to replicate what he was painting on the screen, while sitting on our couch. My crayons and drawing paper created some attractive pictures, but there were nothing compared to the landscape painter's work. I came to the conclusion that I needed oil paints to make my paintings as beautiful as his.

I could not buy oil paints myself, since I was only seven years old, and my parents wouldn't purchase them for me either. That is when I decided that I would just have to be creative. The only place that I could think of where I could locate some painting tools was in my mom's makeup case. I used an old box as my pallet and then used the creamy makeup to make my paint by mixing them together. I used lipstick, blush, eyeshadow, and anything else that I could find to create my palette of colors. A blush brush was my paintbrush, an eyelash separator my tool for shading effects, and construction paper was my canvas. I was ready to create my masterpiece.

As I am sure that you guessed, my landscape painting using makeup only lasted that one Sunday. After my mom saw the mess I had made of her makeup, I was told that I couldn't paint anymore. This put an end to my idea of using food the next time to create my palette. After a while, I quit watching the French painter. It had become too difficult to simply watch him when I was unable to create my own masterpiece. That was my dabble into landscape painting.
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About Author
Both Ralph Serpe & Mr.andrew Caxton are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Ralph Serpe has sinced written about articles on various topics from Guide Guitar, Painting and Health. Ralph Serpe is Webmaster for Creative Spotlite a free educational art and craft community. Visit Creative Spotlite today for more
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