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Masters In Fine Art

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Collecting fine art is quickly becoming a more common method of investing and saving money. Putting your money into artwork can result in more of a return than a regular savings account, which is contrary to what most people believe. Many people don't think of fine art collecting when it comes to managing their money -- but nothing could be further from the truth. Here are some common myths about fine art investments and financing.



Some of the biggest myths concerning fine art collecting and finances are that it doesn't appreciate quickly enough to be a good investment. Also, a widely-held assumption and falsity is that art doesn't do well in a down-turning economy and that prints aren't valuable. This article dispels each of those myths and proves that art can be a suitable way to improve your investment portfolio.

MYTH: Art Doesn't Appreciate As Fast As Traditional Investments

TRUTH: This couldn't be further from the truth. A piece by Andy Warhol worth $1,000 in 2005 is worth about $3,250 today. Simply put, the art market is consistently showing impressive returns, often beating out traditional investments. Two business professors from New York University agree. Michael Moses and Jiangping Mei have complied and tracked the performance of fine art. The Mei Moses Index covers Impressionist, Modern, American (before 1950), and Old Master artists. "From last year, through the end of 2007, all our index was up 20% while the S&P total return was up 5%," says Michael Moses (co-founder, Beautiful Asset Advisors).

MYTH: Art Investments Don't Do Well In A Down-Turning Economy

TRUTH: Fine art collecting is known to be a recession-proof method of investing. Because art values aren't dependant on any country's stock market or currency, they can continue to appreciate over time, regardless of the current state of the economy. For example, foreclosures have crippled the real estate market, but fine art investments continue to do well. Well-known artists like Marc Chagall, Pablo Picasso, and Andy Warhol are some of the many whose works continue to appreciate in value. The reason for this is simple: these artists are no longer living, limiting the number of original pieces available for sale.

MYTH: Prints Aren't Valuable

TRUTH: An original, authentic, limited fine art print created during the artist's lifetime carries with it the value of being printed by the artist's hand. That is impossible to reproduce, and that is why it will always be valuable. When most people think of prints, they think of mass-produced posters that can be found anywhere. In the art world, a print has a completely different definition. An art print is usually produced in limited editions that are often hand-signed by the artist. Usually you can find a number such as 15/150 which means that your copy was the 15th numbered out of a total edition of 150 (frequently there are also a few artist proofs). Collectible works were printed under the artist's direction and with the artist's approval. The plates used to make the prints were almost always destroyed shortly after the printing run. This means they are in limited supply and it impossible to recreate an original.

When it comes to fine art collecting, there are many myths regarding art and investing. Art has proven to be a unique investment opportunity that is sure to appreciate while you enjoy its beauty every day.
Masters In Fine Art
Whenever somebody mentions contemporary Vietnamese art, there are a few names that spring to the mind right away. Of these, among the very first ones that come to mind, is Bui Huu Hung. Undoubtedly, Bui Huu Hung is one of the most popular artists to have emerged from the Vietnamese art scene in recent times. Born in 1957, Bui Huu Hung hails from Hanoi, Vietnam. Bui Huu Hung works in the traditional medium of lacquer. It is the same medium that has produced some of the finest specimens of Vietnamese art. His lacquer works on conventional wood surfaces and nontraditional canvas are like the new Hanoi; while steeped in tradition they are painted in a thoroughly modern context. Bui Huu Hung's art is a splendid example of traditional magnificence mixed with a modern sensibility.

Bui Huu graduated from the Hanoi Fine Arts University. Besides many conventional styles of painting, he also studied lacquer painting. Since 1975, he involved himself with this particular mode by learning from other accomplished lacquer artists at traditional lacquer workshops. Today, he is a Member of the Vietnam Fine Art Association and has been a member of the International Association of Lacquer Painters since 1996.

In an article published in the Heritage Magazine in August 1998, an eminent art critic once said, ?If a picture is worth a thousand words, Bui Huu Hung's haunting paintings tell a hundred stories.? Today, Bui Huu's paintings can be seen at some of the finest galleries around the world, including Eastern Fine Arts Museum of USSR, Singapore Art Museum and Museum of Sydney. Bui Huu has a long string of private and collective exhibitions behind him. Some of the more important ones include: Exhibition of Lacquer Painting, in Vasava, Poland in 1982; Western Exhibition in Sophia, Bulgaria in 1983; "Art Spring", Alliance Francais in Hanoi, Vietnam in 1993; "Lacquer International", Fijiita Art Museum in Tokyo, Japan in 1996; "The Sacred Season", exhibition with Nguyen Tu Nghiem at Notices Gallery, Singapore in 1997; "Past - Present", Maison des Arts Europe Asie, Paris, France in 1997; "With Heart and Soul and Mind", New World Art Center, New York, USA in 1998.

After years of a rather provincial existence, Vietnamese fine art is finally coming out of the closet to present itself in its full glory before a wider audience. The growth of interest and the rise in popular enthusiasm about Vietnamese fine art have been truly phenomenal in the past few years. The last decade, especially, has witnessed a dramatic growth in the number of people world-wide taking an enormous deal of interest in Vietnamese fine art. It is safe to assume now that Vietnamese fine art has finally come of age. Bui Huu Hung is among the names which have become an integral part of this surge of interest.

The contemporary art scene of Vietnam is buzzing with activity, and is vibrant like never before. This is to be attributed not only to strong commercial considerations, but also to the commitment of artists and dealers to create and promote quality work. One cannot help but wonder in awe when one looks upon the radical metamorphosis of Vietnamese art over the last few years. Less than a decade ago, contemporary Vietnamese fine art and artists had negligible presence in their own country and virtually none on the international art scene.
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About Author
Both Christine Okelly & Simon Churchgate are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Christine Okelly has sinced written about articles on various topics from Disease & illness, Finances and Accident Lawyers. Christine O'Kelly is an author for , an online art gallery featuring works from artists like Joan Miro, Pablo Picasso, Marc Chagall, And. Christine Okelly's top article generates over 135000 views. to your Favourites.

Simon Churchgate has sinced written about articles on various topics from Vietnam Travel, Pharmacy and Medical Tourism. Today, artwork of artists such as has found its way into international art galleries. It can be safely assumed that Vietnamese fine art has indeed come a long way.. Simon Churchgate's top article generates over 14800 views. to your Favourites.
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