It amazes me that the over use of the tab system for playing
guitar has never before, that I know of anyway, been equated
to painting by numbers. While it's fine for the amateur player
and garage band hack, it has increasingly been brought into
the real world of music. Some of you may remember all those
tad polls and squiggly lines, clefs, staffs and bars, Italian
words like legato, staccato and all those other ato's. They
were fine for us and with the right teacher, (which is
increasingly hard to find, but that's another article), they
were even fun. It seems to me that this wonderful teaching
tool called tablature has been abused in this immediate
satisfaction world that now seems to exist. Not to mention
the spitting in the face of Segovia, Chet Atkins, Wes
Montgomery, Joe Pass, Tal Farlow, B.B. King, Eric Clapton,
have I made my point yet. Tab hackers cannot be compared
with us, the true musicians.
It is the responsibility of us as teachers to not give in to
the pressures of easy play guitar or any instrument for that
matter. The guitar and piano have become the most abused of
these systems due to the numerical and patterned designs of
the instrument. True professionals should be insulted by the
rash of infection within our craft of ineptly trained players
who in times of old would have been confined to play only at
family gatherings and high school summer bashes of drunken
teenagers who copped some beer and weed. It's not to say that
it's not nice for them to play that way. I'll even give them
an occasional an "how cute." Heck, I've been told by well-
meaning but misinformed parents to "just let them play and
have fun, they don't need to learn theory". Personally I
think it's fine that some learn and play this way, as long
as you confine it to old aunt Bessie and grandma or even some
bucket of blood in the Keys, but kindly do not include yourself
as one of us. You are not. If you can't read music, know little
to nothing about theory, then you are not a musician.
I'm not trying to be harsh here, I'm only trying to protect
the craft I've struggled to perfect, both playing and especially
teaching. I've found that the ones that don't care or are just
lazy simply will not learn any faster, with or without the tabs.
The real tragedies are the ones who do care or come to care
later on and then it's even harder to learn theory. You go from
this easy paint by numbers format and learning cool songs like
Sweet Home Alabama, Smoke on the Water to Twinkle, Twinkle
Little Star. Yea, that'll work. Guess what? You've just ruined
what could have become a fine musician, amateur or not, and
wasted all the money in lessons up to that point. Not to mention
the cost of the dust-gathering instrument which, by the way,
does not make a good clothes line like exercise machines. Most
importantly, you've given another blow to the true craftsmen,
the musician.
Kindly do not succumb to this practice, hire a real professional
with a lot of great references and pay him the extra bucks, it's
worth it.
Article written by John Marchionne.
Paint By The Numbers
Many of us have at some time or the other satiated our artistic desires by coloring using the paint with numbers concept. We have fond remembrances of the time spent filling up various shapes with colors. All we needed to know was the color that corresponded to a particular number and following that code we could conjure up beautiful paintings that would befit a professional artist.
As kids these paintings were available in most shops and came with a small packet of required colors. One knew the end result that one needed to get by looking at the completed picture on the box. Variations of this bundle of entertainment arrived and kids were required to just dip their brushes in plain water and run them over the page to get the desired effect of a jungle, an animal or a portrait The amazement for this magic, however, lasts for a few months before the kids grow out of it.
This concept goes a long way to the 1950s when it was not considered only childs play but was taken more seriously. People enrolled in classes to learn the art of painting by numbers and it was considered a hobby in itself. Many people redid famous paintings that had complicated set of numbers and professionally framed these pieces of art for everyone to see.
Since these pictures were so popular, many people used to earn their living by creating these number paintings. It obviously must have been a very interesting and fun filled way of making profit. It was also a good past time for those who did not have any artistic prowess but wanted to create something of their own.
Due to the training ground that these number pictures provided some of these creators moved on to become full artists in their own rights and others continued to provide people the ability to adorn their homes with personally created paintings. Paintings such as these give you the reassurance that the masterpiece that you are trying to replicate will look considerably similar to the original and not turn into a nightmare.
A negative of these number paintings was the fact that these did not allow for creativity to flow. One was restricted to painting between the lines and following a certain color code. But creative dudes changed that too by not following the codes to the colour layout and putting in their individual stamp.
It is surprising that in spite of being so simplistic in nature it became a rage!
Both Jones & Kenneth Scott are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
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