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Pictures Of Aboriginal Art

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Australian Aboriginal art is one of the hottest areas of contemporary art in Australia today, and repesents an attractive investment option for many buyers. In recent years, the Aboriginal art market has attracted international attention and experienced exceptional growth which does not appear set to slow down in the medium term.



Australian Aboriginal art is one of the hottest areas of contemporary art in Australia today, and repesents an attractive investment option for many buyers. In recent years, the Aboriginal art market has attracted international attention and experienced exceptional growth which does not appear set to slow down in the medium term. At auction, Aboriginal art considerably outsells non-indigenous Australian art and has enormous international standing. Before entering the Aboriginal art market however, it is critical that investors are well informed, not only to ensure that art works are quality work by the best artists, but also to guarantee the authenticity and provenance of the art.

One of the first things to look for when buying any Aboriginal art or artefacts is a Certificate of Authenticity, which may be issued by the community in which the artist lives and works or may be provided by the gallery from which the artwork is purchased. Certificates issued by Aboriginal community art centres, individual artists and reputable galleries vary, however most include details such as the artist's name, language group and home community, the title, size and story of the work, and the name and code of the relevant art centre or gallery. A photo of the artist and the work is also often attached to the certificate.

When determining the relative value of a piece of Aboriginal art, many of the factors involved are similar to any other object or art form. An individual piece is in the first instance attractive to the buyer according to its immediate aesthetic value, but its current and future financial value depend on factors requiring careful research. These factors include the renown of the artist and in which period of the artist’s career the work was created. Additional factors particular to Australian Aboriginal art include the artist's age and seniority and their position in the historical development of the Aboriginal art movement.

Before buying a painting, research the artist in as much depth as possible. Determine whether the artist is represented in significant collections or galleries. Also determine how prolific the artist is, and whether there is good demand for the artist in the secondary market - in other words, at auction. Try to view as many works by the artist as possible in order to determine if the work under consideration is from a well regarded period or series. In many cases, works painted during certain periods are significantly more valuable than others. Finally, make sure you are aware of the current market value of the artist's works.

If all these factors seem daunting, ask for advice. The Australian Aboriginal art market is far more open than it once was, and increased competition has seen a marked improvement in service. Reputable dealers, gallery owners and auction houses have the necessary expertise and are generally happy to assist new investors. One final point to consider when investing in any art are additional expenses such as transaction costs, commissions, insurance and restoration charges. These costs can be high, so be sure to factor them into purchase prices where applicable.

Australian Aboriginal art has generally proved to be a solid investment over time. Work by important Aboriginal artists has increased in value markedly over the past 30 years, with individual works fetching prices as high 50,000 at international auction. Prudent investors who have developed good relationships with specialist galleries can derive great pleasure from collecting the art of the world’s oldest living indigenous culture, and can also be assured that the artists in question have been treated fairly and ethically, and that their investment is secure.
Pictures Of Aboriginal Art
Wesley Willika is an Aboriginal Artist who was born in Katherine on 19/2/68. Katherine is a small town, even though it is the 3rd largest town in the Northern Territory, 300klms south of Darwin. He is from the Jawyon tribe whose land takes in Nitmiluk Gorge, and the communities of Beswick, Bulman and Barunga, amongst others. At present he lives in the Werrenbun community near Katherine in the Northern Territory. It is a beautiful little community situated close to Edith Falls, part of the Nitmiluk Gorge. Nitmiluk Gorge is actually a system of 13 Gorges running from the Kakadu National Park all the way down to Katherine. During the Wet Season the waterfalls are absolutely spectacular. He learnt the craft of an Aboriginal Artist from established artists such as Paddy Fordham, as well as utilizing his natural instincts.

He went to school at the Barunga Community School, about an hours drive from Katherine, reaching Yr9. Wesley has 3 sisters and 2 brothers, is married but has no children. He is a shy, quietly spoken man with very little formal education who is trying to make his way in the world the only way he knows how, by utilizing his natural artistic instincts. The subjects of his Aboriginal Art are Echidna, Kangaroo, Fish and Water Moniter. Wesley can't paint in a room or studio, well he can, but he won't, he only feels the flow of his artistic juices out in the open air, under a tree, or next to a creek.

I first met Wesley when I was working for a remote employment agency, needless to say, there are not many employment opportunities for an Aboriginal man who has only achieved an education level of year 9, who lives 50klms from a small town of only 9,000 people, with English being his second language. He had already been painting for a number of years, the only thing that I could think of, employment wise, was to encourage him to continue with his Aboriginal Art, and urge him to spend more time with his painting and less with his hunting. But a man has to feed his family. Hunting is not only a necessity for Wesley, it is also his pleasure in life, he loves to be out in the bush, that is where he truly belongs.

Wesley travelled to Sydney once, and he felt like Crocodile Dundee going to New York for the first time. He saw things that he had never seen before; he told me that he could never live in the big city. He needs the fresh air, the bush, hunting, fishing, and taking the time to just think about things that really matter.

Wesley's Aboriginal Artwork has been sold Internationally, as well as at exhibitions held in Sydney, Australia. His mediums are canvas and Bark (Rarrk) as well as Didgeridoos. If you would like to see some of Wesley's Art just search the internet you will be quietly surprised by the popularity of his art which should be a great investment for the future.
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Both Miguel Scaccialupo & C S Liner are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Miguel Scaccialupo has sinced written about articles on various topics from Vacation, Travel and Leisure and Adventure Travel. Miguel Scaccialupo writes regularly on topics including. Miguel Scaccialupo's top article generates over 14800 views. to your Favourites.

C S Liner has sinced written about articles on various topics from Computers and The Internet, Hair Care and Computers and The Internet. specializesin heaps of up and coming aboriginal artist currently. C S Liner's top article generates over 90500 views. to your Favourites.
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