What is portrait painting? This can be explained as follows: This kind of painting typically depicts a person's face, from there, the word "portrait" originates. Furthermore, there are many portraits, old and new ones, on which you can see the portraitee's whole body. A portrait is painted with the intention to show all characteristics and features. The painter tries to emphasize these details in a portrait. Upon the portraitee's request, little blemishes and other visible details can be omitted once in a while. They are simply kept "secret" as painters would call it.
Already in ancient times (four thousand years BC) high standing personalities had themselves preserved for posterity. Portrait painting originated in ancient Egypt, as many pictures in the pyramids of deceased show, but only in Greece this genre came to perfection.
However, portrait painting was pushed into the background for a long time (until Renaissance) in favor of sculpture.
The main period of portrait painting only began with the Italian painting of high Renaissance, e. g. by artists like Leonardo da Vinci, Michelangelo, Raffael and Tizian.
In the following centuries, portrait painting blossomed totally. For example, in the 17th century, Peter Paul Rubens was a contract painter in great demand. The ones who could afford it had themselves preserved for posterity by this painter of Baroque, who was already those days well known.
Today, only a few people can afford an original painting made by an artist's hand. And an original Rubens painting is even more utopia.
With the introduction of photography in the 19th and 20th centuries and the modern communication methods portrait painting changed fundamentally. Since then, also "normal" people, who are striving for a little bit of preservation, and who want to have themselves or their beloved ones painted on a canvas, can have it done at affordable prices.
In today's contract painting, especially portraits of children, grandchildren, parents and grandparents are very popular. In addition to that, depictions of beloved domestic animals, fancy cars or favorite landscapes are widely asked for.
Nowadays, the ones who can afford it, order a portrait painting as an individual birthday present.
Good painters paint these portraits in such a precise way that their similarity with the originals is astonishing and almost have the effect of photos.
Even changes are possible according to individual demands Upon request, small blemishes can be omitted, as we have already mentioned above.
What characterizes a good portrait painter? A portrait painter must be able to paint a person with all his important features. He must be able to depict exactly what is really visible. You cannot simply go and change a portraitee's features, because then the result would no longer be a portrait. In the moment of portrayal, the person who has himself portrayed offers the painter a special depiction of himself with his own details and features. Good painters are able to reach exactly this what has been described above. This characterizes them.
Portrait Painting How To
As an oil painter, there will come a time that you will be asked to create a portrait. Or perhaps, you have always wanted to be known as a portraitist. There are many reasons why portraits are painted, most of which pertains to the sitter, the person whose portrait you will paint. The sitter would probably want to establish a public image and you, as the artist, would do well to emphasize the status, looks, and personality.
A portrait is also meant to explore the qualities of the sitter that normally would not show in his or her day to day activities. And a portrait is made to have a souvenir of a loved one, who is either absent or dead.
There is no correct way to do a portrait. And there is no fool-proof technique that will assure the painter to produce a likeness to the sitter. There are, however, several things to keep in mind when painting a portrait.
Most portraitists feel comfortable in putting oil to canvass after they have done several sketches of the sitter. Drawing the sketches will help you understand the things you see and how to translate them into two-dimensional lines.
Sometimes, you will find easy strokes and sometimes you will discover that finding that right line is difficult. Nevertheless, when you move the final canvass, remember to use chalks for broad sketches and use pencils for detailed sketches.
Normally, two thirds of the canvass is the maximum limit that the subject may cover. But you must not make your subject too small that there would be many wide spaces you would be hard-pressed to fill in.
Make sure that the source of light will fall on the sitter's face in such a way that light and shadows bestow strength and solidity to the face. As much as possible, avoid drawing the full face. Instead, focus on the expressive details, such as the eye folds and the mouth.
Similar to other oil paintings, you must paint the shadows first, in order to establish a broad structure. The nose is the ideal spot to begin. Shadows should have similar colors with the background. In areas where a shadow and light meet, include a touch of color. If you believe that the face lacks structure, deepen the shadows. To bring cheeks and chin forward, paint in warm colors.
While you give attention to the background, you must also remember that the backgrounds should not be more prominent than the subject. Use relatively neutral hues.
Both Stefan Heuer & Grace Palce are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
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