The larger reel-to-reel recorders are still employed by professional sound specialists, although the basic cassette recorder is probably the cheapest form of analogue recorder which is readily available. The quality of these reel to reel machines can seldom be duplicated by the smaller recorders and their cassette tapes.
A multitude of different media's still utilise analogue recording, which is the oldest standard in audio recording based terms. Analogue style reel-to-reel recorders are still in mainstream use these days and are still considered by some as the preferred equipment for sound recordings.
The advantages of reel to reel tape recording systems are generally the far better quality recordings and the fact that the tapes can be easily edited. However, because of economic reasons the cassette recorder is by far a more common analogue recording system than the more expensive, heavier and bulkier reel-to-reel recorders.
Although digital reel to reel recorders are more the norm now analogue reel to reel recorders are still used for master studio recording They are the clear choice of professional recordists since the quality of these machines can seldom be duplicated by the smaller recorders and their cassette tapes.
Reel reel tape recorders are capable of recording sonically challenging sounds that most cassette recorders cannot record accurately and the tape transport mechanisms of these machines, which are also known as open-reel recorders, are virtually immune to humidity-related problems. They have wider tape width and faster linear tape speeds than cassette recorders; they offer the widest frequency bandwidth, greatest fidelity, and best signal-to-noise ratios of any analogue recorder.
Whereas digital recordings can become unusable in any number of ways, not least where the hardware and software they are based on becomes obsolete, analogue reel-to-reel recorders offer proven reliability to researchers and recordists even under the harshest conditions.
Many recording artists, even today, prefer the natural, warm sound of reel to reel player recorders and many rock and blues artists find the unique form of distortion, caused by tape saturation, very pleasing. The illusion of a fuller sound, which is a more natural effect to the human ear, is created by the harmonic distortion, which causes the high end to become slightly depressed and the bass to thicken up. It is not uncommon for artists to re-record digital tracks to analogue reels.
Reel to reel tape recorders are still a popular way to record and listen to music sound tracks and it is still possible to acquire models that have been manufactured by Akai, Pioneer, Ampex, Revox, Sony, Teac, Toshiba and many others.
Although they are getting a little hard to find and can be rather expensive in some cases, analogue reel to reel recorders are still available today and issues regarding maintenance or repair should not be a major concern as tapes, parts and components are still available.
Reel To Reel Tape Recorders
The Willi Studer company was founded in 1948 and in 1949 their first tape recorder, the Dynavox was developed, which was an instant success. In 1951 Willi Studer founded the company ELA AG with Hans Winzeler and the Dynavox was renamed and became the first Revox tape recorder, the T26. The first professional reel to reel tape recorder was also launched in this year, the prototype Studer 27, which went into mass production in 1952.
1955 saw the launch of the Studer A37 and Studer B37 and the introduction of the first tape recorder of the famous Revox 36-series, the Revox A36. New models quickly followed and 1957, with an international sales network now in place, saw the introduction of the first portable tape recorder, the Studer B30, and the new version of the A36 series the B36.
The last mono reel to reel tape recorder, the C36,started production a year later, which also saw Studer present the the first mixing console, the portable Studer 69. Then, in 1961 the Revox D36, which was the first stereo tape recorder, started production.
The legendary Studer J37 4-track tape recorder, which was endorsed no less by the Beatles using it for their 1967 album "Sergeant Pepper's Lonely Hearts Club Band" was first introduced to the public in 1964. Transistorized reel to reel recorders came into being a year later.
Studer reel to reel players continued to rise in popularity within the domestic as well as the professional market with the continuing introduction of ever more models with innovative designs including the the microprocessor controlled multitrack tape recorder Studer A800. However, the writing was on the wall for the analogue reel to reel tape recorders with the introduction of the A710 cassette recorder in 1982 and the first digital products in 1983.
Other models that have come out of the Studer/Revox factory that have proved popular and stood the test of time are the A77 with worldwide sales of 400,000 and probably the best tape recorder of it's class, the B77 and the professional version of it, the PR99, the A700 and older valve machines like the venerable G36.
Probably the best machine of its type that Studer ever made was the last quarter-inch-format machine the company manufactured, the Studer A807 which was supreme both in terms of the audio electronics and the superb transport mechanism.
There are still many of these Studer/Revox reel to reel tape recorders still available and they come in all formats to suit all tastes and, although they are not manufactured any more, they are quite easy to maintain, with easily available parts.
From their initial beginnings the company, and its brand name Studer, has become synonymous for broadcasting and recording equipment and the name of Studer now carries with it a worldwide reputation for quality and reliability and for 50 years Studer was the leader in analogue tape-recording technology.