The names of many 20th century popular music styles were originally slang terms with sexual connotations (e.g. Swing, Jazz, Bop). Rock n' Roll is no exception. In the early 1950s, as jazz became more of a listening music played by small ensembles, audiences sought music which provided an unwavering and obvious pulse for dancing. This factor, as well as the appeal of a lead singer emphasizing lyrics and the advancing development and use of electric instruments (guitar, bass, etc.) played with high energy, and with a heavy drumming backbeat, all contributed to the beginnings of Rock n' Roll. Though Alan Freed, an early 1950s disc jockey from Cleveland, Ohio, is often credited with coining the term "Rock n' Roll", it can be traced back much further, at least as far back as the song written by Richard Whiting in 1934 entitled "Rock and Roll." The style really didn't come into its own, however, until the 1950s. A series of early hits, including "Sixty Minute Man," by the Dominoes, and several by Bill Haley and the Comets (notably "Rock Around the Clock"), grabbed the attention of American youth.
As the new music gained popularity, musicians such as Antoine "Fats" Domino, Little Richard (Richard Penniman), and Chuck Berry emerged as its stars. In addition, with Elvis Presley's phenomenal rise, Rock n' Roll produced its first superstar. The music continued to gain popularity throughout the remainder of the decade with such artists as Sam Cooke, Buddy Holly, Richie Valens and many Rockabilly musicians, such as Carl Perkins, rising to prominence. By the early 1960s, Surf music had become very popular, and by the mid 1960s, Soul Music, and more especially "The Motown Sound", were also very popular. These driving forces of early and mid 1960s pop music firmly established Rock music's signature "straight" feel as opposed to the "swung" feel of the Jazz bands of the 1930s and 1940s and West Coast and Jump Blues, made popular in the 1940s and early 1950s by artists such as T-Bone Walker. By the 1960s, Rock n' Roll had also found a large audience in Britain, inspiring the formation of many British bands and the "British Invasion" of the U.S. music scene.
"Beatlemania" and the Beatles' continuing success were perhaps the best indications of Rock n' Roll's universal appeal and lasting popularity. "The British Invasion" also coincided with an emphasis on bands rather than individual musicians. But, paradoxically, some of the more famous names in drumming history came to prominence in this period: Ringo Starr (The Beatles), Charlie Watts (The Rolling Stones), Mick Avory (The Kinks), and Keith Moon (The Who). The mid to late 1960s saw a proliferation of Rock bands with prominent drummers, including Cream (Ginger Baker), The Doors (John Densmore), Jimi Hendrix (Mitch Mitchell and later Buddy Miles), and The Grateful Dead (Mickey Hart and Bill Kreutzmann). By this time, Rock drumming began to deviate from a simple and recognizable beat to include more challenging rhythms and fills requiring greater technical skill, with the "concert drum solo" becoming a common feature of Rock performances. By the beginning of the 1970s, several bands had become well established: Led Zeppelin (with prominent drummer John Bonham), Deep Purple, and Black Sabbath-that are considered founders of the Heavy Metal style. Another category that had attained wide popularity by the early 1970s was Progressive Rock, a style of music and drumming characterized by lengthier compositions, odd time signatures, and an even higher level of musicianship.
Rock And Roll Music History
Not so much as style as a feel, the purpose of Half Time Standard Rock is to fill up the groove in slower Rock tempos. The addition of 16th notes from the ride hand creates the active feel in this groove, making it practical only for songs in slower tempos. The tempo range is narrower than that of the Standard Rock range, with quarter note equals from 60 to 96 bpm. The term "Fusion" refers to the fusing of many different styles into a distinctive sound. Predominately an instrumental form of music, Fusion is a mixture of Rock, jazz, Funk, and Progressive Rock, and involves advanced musicianship.
In addition to the bands and musicians, important fusion drummers include Alphonse Mouzon, Rod Morgenstein of the Dixie Dregs, Billy Cobham for his work with the Mahavishnu Orchestra and his milestone album, "Spectrum", and several drummers who have played with Chick Corea, such as Steve Gadd, Lenny White, and Dave Weckl. Contemporary drummers such as Will Kennedy Hakim, Dennis Chambers, Simon Phillips, and Vinny Colaiuta are all outstanding Fusion players. Important Fusion groups and musicians include Miles Davis (who could be credited as the styles originator, with his "Ina Silent Way" and "Bitches Brew" albums in 1969), Tony Williams Lifetime, Herbie Hancock and the Headhunters, the Mahavishnu Orchestra, and Weather Report. All Standard Rock examples and variations, as well as those from the Jazz, Odd Time, and Funk styles can be used when playing Fusion.
Tempos vary widely in Fusion, but tend toward moderately fast. Inspired by 1950s Rock and Roll, Surf music was created in the early 1960s, initially as an instrumental genre, by artists such as The Surfaris, the Ventures, and guitarist Dick Dale. Purists consider the most authentic form of Surf music to be instrumental, emphasizing the drums and guitar (typically very trebly, some what over driven, and with heavy reverb) to mimic the experience of surfing. When groups like Jan and Dean and The Beach Boys introduced lyrics (of a teen jock oriented type, usually sung in a high tenor or outright falsetto voice, with often extensive vocal harmonies), the style achieved mainstream popularity. Perhaps the most influential surfing drum song is the classic, tom tom driven "Wipe out" recorded by the Surfaris (with drummer Ron Wilson) and further popularized by The Ventures, while the most influential guitar driven Surf song is probably "Walk Don't Run", by the Ventures.
Vocal Surf classics include The Beach Boys "Surfing Safari" and "Surfing USA". In the mid to late 1960s, Surf was eclipsed by British Rock (The Rolling Stones, The Beatles, The Who, etc.) and the Psychedelic Sound (The Doors, Cream, Jimi Hendrix, Pink Floyd, etc.). However, the early 1990s reissue of Dick Dales early song "Miserlou" on the "Pulp Fiction" soundtrack stimulated renewed interest in Surf music. The style is currently represented by newer bands such as The Mermen and The Aqua Velvets, and still by The Ventures who are enormously popular in Japan. The drumming pattern in a typical Surf song is characterized by an alternate (to that in standard Rock) back beat pattern on the snare drum. In addition, many Surf songs include active and repetitive 16th notes on the toms, sometimes throughout an entire song. However, this technique tends to be used more in instrumental numbers than in songs with vocals. The tempo is brisk at quarter note equal to 138-184 bpm.
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