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The Da Vinci Codes

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Before anything else, let us first establish that "The Da Vinci Code" is not an outright attack to Catholic religion conservatives nor is it an entertainment exclusive for those who have completed their Dan Brown (Langdon) series or their Holy Grail collections. The good thing about this film is that anyone can watch and understand it (provided, of course, that there are practically no restrictions when it comes to cinema admission). Oh no, there is nothing cryptic at all with this Ron Howard masterpiece.



Some Brown followers and mystery aficionados may sit and spend a full two and a half hours and regard the movie as too bland or too... anti-climactic. Let us be clear: "The Da Vinci Code" is an adaptation, so comparing the screen version to the book does not make much sense. Yes, expect the movie to be just like those Harry Potter books, where there are also portions not included in the picture.

As much as I have nothing against books being transformed into films, I beg to disagree on the argument that "The Da Vinci Code" is not loyal to the novel. If anything, I believe the gist being presented and kept alive on the screen is just appropriate and fitting, especially for those who have not gotten close to hearing the author's name. Basically, the plot takes a head start in one of the Louvre's chambers, where a curator is murdered and has left various enigmatic messages on the museum's interiors for his granddaughter, Sophie Neveu (Audrey Tautou), and symbologist, Robert Langdon, to find. In attempt to discover the culprit, the pair is led into a maze of clues and anomalous and elusive figures. Eventually, they are attended by Sir Leigh Teabing (Ian McKellen), who turns out to be the nemesis (or more suitably, since this is not that kind of pumped-up suspense -- the antagonist) in the end.

As I have mentioned, this is not exactly comparable to those high-flying adventure or sci-fi hits, with all the explosions and incredible stunts, so expect zilch of those. You can expect, though, a few car chases in the streets of France and in the woods. But that is all contained in the novel, anyway, and I doubt Howard would want to greatly disappoint the viewers with a totally made-over picture. I guess it is quite logical, in this sense, to believe that the film lacks some creatively driven climax or a high momentum. Yes, these shortcomings all boil down to the pre-existence of the basis of the whole movie -- the best-seller book.

What really makes the picture worthwhile is the mental stimulation you get from absorbing all those data and information in one sitting. Amazingly, the clarity and simplicity by which the information and other historical accounts are laid out are commendable. Worried about all that religious controversy? I assure you, there's no need to be queasy or uncomfortable regardless of what faith (or lack of it) you belong to. Akiva Goldsman, the film's screenwriter, has done a fair job of making sure that the audience are also kept on track with the plot and not get lost with seemingly unfamiliar labels such as Priory of Sion, Opus Dei or The Knights' Templar.

Another area where "The Da Vinci Code" is considered to surpass other movies in its genre is the special effects. I am not talking about action-powered, egoistically snazzy effects. Just the inclusion of digital graphics during the brainstorming moments of Langdon are already and certainly remarkable. The crew also deserves a thumbs up when it comes to the amazing set and background. I know it is difficult to recreate a church's interior, especially if you are not allowed to shoot in one (the original location, that is). Not to mention that at the same time, you are also embarking on one of the most anticipated movie ventures of the last two years (since the release of the book).

On the other hand, the details may also seem a bit too bluntly or obviously laid out, in such a way that these are supposed to be the whole point of the film. Well, the details are of the essence, but as reiterated, the producers could have gone a bit farther, say an insertion of some inducing music or some scene-enhancing elements, to reduce the monotony or the tone down the nerd-like quality of the movie. Some scenes can also do without the excess drama or intellect, if you will, like the one where they are supposed to retrieve the curator's safety deposit box and enter a specific code (lest they may never gain access to the much-coveted cryptex ever). Then again, these are the directorial efforts in putting some spice (or action) in the mystery hunt.

When it comes to casting, "The Da Vinci Code" brings together an international cast, all of whom are fitting and brilliant in their roles. Pressure from the novel's reputation may have played a part, but all in all, the actors are convincing as they can be and the movie treats all characters on an equal footing. Of course, I cannot do without commenting on Audrey Tatou's attempts at English or the lousy haircut Tom Hanks has in the movie, but truth of the matter is, all of them shine in the portions where they are supposed to be shining. Heck, I even forgot my earlier distaste of Tom Hanks being casted as Langdon when I saw how other actors are perfect for their respective roles. Take, for instance, Ian McKellen. I can really feel his laid-back yet enthusiastic approach, not just to the role of the Grail's obssessive collector, but also in playing the part in a summer movie.

In general, "The Da Vinci Code" merits an applause, not just for its relatively loyal adherence to the best-seller, but also for bringing together an ensemble performance and story that considerably realized (and delivered) the popularity and magnitude of the project.
The Da Vinci Codes
The recent uproar over The Da Vinci Code book, and now movie, has digressed into a tedious argument about historical factual details. However, one thing that is indisputable is that the book touched something in millions of readers across the planet. Perhaps the magic spark that excited readers to tell others about the book, eventually making it a global best seller, was not the facts or fiction of the book, but rather the metaphoric truth it exposed.

That truth was about the male and female aspects of consciousness, or what ancient Chinese philosophers would refer to as the yin and the yang. The male, or yang aspects of consciousness are the seen world, the linear and active, constructive and analytical world. The female or yin being the unseen and non-linear, the receptive, the contemplative, and the intuitive aspect of consciousness and reality. The essence of the Da Vinci Code was about feminine energy being removed from global consciousness in history. Whether there was a conspiracy to do so is irrelevant . . . it happened. But, how could that possibly affect us today?

Chinese philosophers millennia ago, began to realize the duality of reality, just as modern physics now understands that there are positive and negative polarities at the very root of all existence, and it is the dance of these polarities that enables creation to continually destruct and be reborn into endless possibilities of creation. This means that within each being's atoms there are both positive and negative polarities that harmonize in a dynamic balance of life, just as there are feminine and masculine aspects to the consciousness of each human being. Just as in nature, when we find harmony within our consciousness for both these polarities, that is when we are functioning and evolving at our highest levels.

The Da Vinci Code was a poem if you will, a metaphoric message bringing up the reality that beginning with the decision not to employ the gospel of Mary Magdalene in the Bible, and the persistent false rumors diminishing her as a prostitute rather than the apostle she was, had a domino effect. Perhaps setting into motion a consciousness that later enabled the murder of tens of thousands of outspoken women branded as "witches" through the dark ages, and the current renunciation of women to the priesthood. These dominos of the basic renunciation of the feminine or yin power in society has had an effect on the consciousness of humanity over these many centuries. These facts and their result are undeniable.

What real impact has this had on society? In a world of plenty billions often go hungry, while millions actually die of starvation and abject poverty annually. Estimates are that a mere $20 billion dollars a year could end starvation in the world. A mere pittance when compared to the world's nearly one trillion dollars in annual arms & military expenditures, as noted by the prestigious Stockholm International Peace Research Institute (SPIRI), for 2003. Yang energy solves problems by striking out, aggressive efforts to control and bend reality to certain ends.

However, feminine or yin energy has a contemplative side that can offer us an opportunity to open to multiple views and myriad options, weighing not in a linear fashion how to most immediately control resources, but a more communal approach that may take more time, but rather can result in more sustainable long term solutions to family and global problems. The nesting aspects of women are an example of this. They yearn on some deep level to keep a household in order, not because they enjoy the tedious tasks required to do so, but because on some unseen level there is a knowing that that order will nurture those who inhabit that dwelling. Before suggesting this is a sexist observation, be honest and compare the households of young bachelors and those of young women. If you are honest, although there are always exceptions to the norms, you'll have to admit that the "young men's bachelor pads" are more often less appealing to live in, and to "eat" in.

Most would agree that global warming and other environmental challenges equate to the world's house being in an increasing state of "disorder." The world knows that it is unbalanced with male or yang energy at this time. Perhaps this was necessary for the world to develop and expand and connect. I'm not judging one energy to be better than another, all are necessary. However, the universe is designed for balance. And it appears now that the world is in dire need of becoming more conscious of its yin/feminine energy. Ideas like energy conservation are yin/feminine concepts, just as exploring and drilling more and more holes for oil are obvious yang/male concepts.

The popularity of The Da Vinci Code, may show an awareness of our need to value the feminine energy of us all at this critical time in human history. So, how do we do that? How do we emerge from centuries of dismissing and repressing feminine or yin energy, in a way and at a speed that can help us through the challenges of our modern times? Ancient mind/body sciences like transcendental meditation, yoga, tai chi and chi kung, may be a huge part of a global healing, by providing a vehicle to expand the power of the feminine, yin, "contemplative" energy throughout humanity at a time when the world needs it desperately.

In Tai Chi, for example, emerging research reports that Tai Chi can help balance hormonal levels in aging men and women (lowering men's high estrogen levels, while raising women's low estrogen levels). These results show us a physical shadow of the internal balancing Tai Chi has on people.

There is a powerful yin or feminine aspect that Tai Chi offers, perhaps more than any other known exercise. This is the unseen, the receptive, the intuitive nature of Tai Chi. When one is not doing Tai Chi as a martial arts Kata (series of fighting forms), but rather losing oneself in the flow of motion, breath, and physical release . . . that is when the mind, heart, and body are immersed in the yin or feminine aspects of Tai Chi.

This is not a utilitarian aspect of Tai Chi. It is not being done to "defend," or "to strike," or even to "heal oneself" with the motions. For utilitarian usage of Tai Chi immediately puts the mind and body into a Yang or Masculine modality where form and outcome are utmost and control is needed to exact the "desired outcome." The yin or feminine energy seeks no result, but rather opens to the pleasure of what is, as it unfolds from within the opening petals of consciousness and experience coming together without any destination or intention, or judgment, or analysis of right and wrong, correct or incorrect.
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•About The Da Vinci Code, by Gonzalez Eliezer
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•Beyond The Da Vinci Code, by Mary Magdeline
•Breaking The Da Vinci Code, by Gary Terrazas
•Da Vinci The Vitruvian Man, by Allen Rubin
About Author
Both Kim Madison & Bill Douglas are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Kim Madison has sinced written about articles on various topics from Movie Reviews. For more information on this DVD review pls visit . Kim Madison's top article generates over 880 views. to your Favourites.

Bill Douglas has sinced written about articles on various topics from Build Muscle, Fitness and Mortgage Insurance. Bill Douglas is the founder of World Tai Chi & Qigong Day, and author of the best selling tai chi book, "The Complete Idiot's Guide to T'ai Chi & Qigong" (Penguin Putnam), and presenter in the world acclaimed DVD instructional "Anthology of T'ai Chi & Qig. Bill Douglas's top article generates over 4400 views. to your Favourites.
Calculation For Compound Interest
2. The markets havent been exactly going up in the last few years either.So, what can you do to COMBAT the lie about compound interest?Yours for success,Owen Stobbe
 
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