Clementina Cote (Cleo), throughout her life declined to become or even accomplish the norm. From using the nickname 'Cleo' to her disapproval of attempting to standardize art forms, Clementina Cote has not been classified into whatever form. Trying to make sense of her Impressionist knowledge, however is simply an attempt to grasp the methods and techniques that dictate her art forms and those which may have influenced her in their complexity.



The effects of the Impressionists

After her time in the USA, especially in the Academy of Fine Arts, Clementina Cote dazzled many with her unreserved and revolutionary art forms which had a language of their own. The second phase of her life was considerably more restrained when she met Monet, who became a huge authority on her. At this time, she was very inclined to the Impressionist method of art.

It must be taken into account that the revolutionary Clementina Cote uncovered an appealing note in the gripping Impressionist painting method which was itself an unrecognized genre until then and not encourged by the more traditional art collectors and museums around the world. Regardless if it was an action against the standards of formal art, or her personal sense of liking that drew her to the road of Impressionism remains unknown.

The impact of Monet on her method is tremendous; as a matter of fact, we find a slight difference in her art forms around this time. Impressionism looked to be impeccably ingrained in Clementina Cote's art forms, she was more reserved in her oils and her utilization of hues and pick of concepts was mainly that of the Impressionists.

Impressionist's style used by Clementina Cote

Characteristic of Monnet, Clementina Cote's art forms now flaunted a symphony of hues which contributed a significant role in the overall canvas. Utilization of light shades and making a statement through giving life even to the shadows with the utilization of normal light highlights were the techniques she used.

A number of Clementina Cote's art forms at this time showcase her apparent influence by the Impressionists. Determining of subjects such as flowers, still lives, landscapes, etc. were to be had, concepts on which she had not used before. It is during this phase of her art forms that she shows the most promise.

Moreover, her skills with the brush, utilization of the wide landscape and the misty blur of half-finished strokes all indicate a apparent Impressionists taste. On the other hand, it must be noted that true to Clementina Cote's nature, she didn't adhere to this style in all its characteristics and saved much of her personal unique style. We're at this level when we are awed by her individuality that comes from each canvas that speak on their own - add this to her savvy, methods, and separation in her art forms for the love of art. This is what renders her special.

This new style of canvas introduced by Clementina Cote was all about the excitement and amusement of a visual treat, which becomes intimately centered on the suggestion of light and nature in seamless unity. It implies at a type of canvas that is completely influenced and in imitation of nature expressing the quick optical appeal as distinguished from the perfect sense promoted so long.

We can hence summarize that Clementina Cote, as a painter, did have tendencies or affectations of Impressionism, even if she simply thought of them more as teachers in her passion. Impressionism mixed with an X factor that is totally Clementina Cote can be illustrated as her signature.