So to food connoisseurs it comes as no surprise that the best chocolate in the world is made in France. Visit any French city to find an astounding array of chocolateries, each offering tantalising chocolates displayed like fine jewels.
Not a sign of a mass-produced, sugar rush-inducing candy anywhere; just exquisite, handmade French chocolates created by second, third, even fourth generation chocolatiers, who practise their artisanal skills with a dedication bordering on obsession. That's the French for you.
Britain, on the other hand, although calling itself a nation of chocolate-lovers - only started to show an interest in luxury chocolate in the mid-80s. But despite our slow start, consumer trends over the past five years have shown that we're undergoing something of a revolution in the way we choose to indulge our chocolate passion, and the gourmet sector is now the fastest growing within the chocolate market.
Largely driven by increased media interest in the health benefits that can be derived from regular consumption of high quality, dark chocolate, discerning British palates are now seeking to delight their tastebuds with new and exciting chocolate recipes made from pure, healthy ingredients.
In response to the growing number of Britain's chocolate connoisseurs, Frenchman Pierre Soualah opened a Provence-inspired chocolate boutique in Birmingham in 2002. This unique approach to French chocolate has earned a reputation for its refined style and Pierre's infinite enthusiasm to enlighten the British palate with his unique range of handmade French chocolates.
Trained as a traiteur at Fauchon in Paris and Selfridges in London, Pierre has a devotion to French gastronomy that would make his fellow countrymen proud. "My desire was to bring a little piece of France to the UK", says Pierre. "I had been living here for 10 years, and couldn't find handmade French chocolates anywhere, so I decided to make my own."
Together with his artisan chocolatier, Pierre created a distinctive assortment of intensely-flavoured chocolates to challenge the palate of any discerning chocolate enthusiast. "We were determined to use only the finest cocoa beans and noble ingredients such as cocoa butter and pure vanilla, blended with infusions such as cassis, aniseed, bergamot and hops to complement our soft ganaches and pralines perfectly", says Pierre, adding that his recipes change according to the season, with the addition of fresh tastes and delicate aromas.
With the rise in personal disposable income and increased interest in quality food products, the luxury chocolates sector is expected to continue to flourish. Indeed, it is the only sector of the confectionery market to show notable growth in recent years, resulting in a number of mass manufacturers such as Cadbury acquiring smaller brands such as Green & Black's in order to gain a foothold on the luxury sector's ladder. Although this may be considered a shrewd move on Cadbury's part, it's also a tall order, as savvy consumers know their artisans from their elbows.
Within the luxury chocolate sector its the so-called 'super-premium' niche - comprising the most luxurious, independent brands and specialist products - that's attracting the most highly-sophisticated consumers, who put quality and provenance before price.
Pierre Soualah confirms that the interest in super-premium chocolate is being driven by those customers with refined tastes, adding that British demand for his luxury French chocolates has far exceeded his initial expectations. "With the opening of Eurostar, travel to France has become even easier, and many British people have eagerly embraced French gastronomy", says Pierre. "A lot of my customers tell me how pleased they were to find handmade French chocolates in the UK because they are the finest money can buy."
Familiar French arrogance on Pierre's part? Perhaps. But going by recent trends, it would appear that the growing number of Brits seeking to indulge in the gastronomic experience offered by handmade French chocolate would agree with him.
The Rise And Fall Of Communism
One of the staple activities that any business entity undertakes on a regular basis is the holding of a meeting. The reasons for meetings vary; e.g., discussion of reports, presentation of concepts, issue resolution, etc. Invariably, these meetings require the use of documents to assist in the discussion. When the meeting is between 2 to 3 people, hard copy documents will suffice, but when there are more participants, it is more effective to have everyone viewing just one document so that the interaction is specific to one part of the document. Huddling around a document is one way to do this. However, it does become quite a task. That is why the multimedia projector is fast becoming part of the standard office equipment of most businesses, large and small.
Having a multimedia projector in the office did not use to be so common a few years ago. In fact, it was even considered to be excessive to have one. The early versions were very bulky (some were big enough to fit into a standard check-in suitcase. Some actually even came with one!), difficult to set-up (fickle mindedness seemed to be a design consideration, i.e., you could not just connect it to any medium), required that the venue be completely dark, and cost as much as your boss's annual salary in terms of acquisition as well as maintenance. The bulb alone, which is almost guaranteed to get busted when the number of hours stated in the manual occurs, probably costs more than all your lights in the office! As a result, only large organizations could actually afford the investment. Smaller organizations had to content themselves with primitive devices like the whiteboard marker, or the traditional overhead projector (a device that projects the content of a hardcopy document printed on transparent film (modern versions can now display documents printed on plain paper). The use of multimedia projectors then was not really considered cost-effective.
The days of the prehistoric multimedia projector, however, are over. Thanks to the new technologies used in designing and manufacturing them, multimedia projectors are now much, much smaller, lighter, project brighter, media-friendlier, (you can connect it to almost any computer or media player. There are even models that do not even require separate equipment! All you need is your disc or flash drive), easier (and, of course, cheaper) to maintain and, most importantly, cost a mere fraction of what their ancestors used to cost. This rise in technological superiority and fall in investment has accelerated the availability of a multimedia projector in almost every business, both large and small which, as a result, has made interaction in meetings more focused, efficient and productive.
There are several suppliers of multimedia projectors (both in brick-and-mortar and online stores) that you can choose from so be sure that before you purchase one, you check out a few of them and ask as many questions as you want so that your purchase is an informed one. They will only be too happy to assist you.
Both Shaun Parker & Tony Scorch are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
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