Art glass normally means the modern art glass movement in which</div><div class='article_slide_7' style='display:none;'>individual artists working alone or with a few assistants to create works from</div><div class='article_slide_8' style='display:none;'>molten glass in relatively small furnaces of a few hundred pounds of glass
Art glass normally means the modern art glass movement in
which individual artists working alone or with a few assistants to create works
from molten glass in relatively small furnaces of a few hundred pounds of
glass. It began in the early 1960s and showed continued growth through the end
of the century. The glass objects created are not primarily utilitarian but are
intended to make a sculptural or decorative statement. On the market, their
prices may range from a few hundred to tens of thousands of dollars (US). The
best known of the moderns are Dale Chihuly, who uses
many of the best independent glass workers to create his large and colorful
works and Hans GodoFrabel,
who creates his art together with a team of studio glass artists.
Prior to the early 1960s, art glass would have referred to
glass made for decorative use, usually by teams of factory workers, taking
glass from furnaces with a thousand or more pounds of glass. This form of art
glass, of which Tiffany and Steuben in the U.S.A., Gall?
in France and Hoya Crystal in Japan and Kosta
class=SpellE>Boda in Sweden are perhaps the best known, grew out of the
factory system in which all glass objects were hand or mold blown by teams of 4
or more men. In fact, the turn of the 19th Century was the height of the old
art glass movement while the factory glass blowers were being replaced by
mechanical bottle blowing and continuous window glass. In the factory, every
member of the team does the same job repeatedly turning out dozens or hundreds
