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Vintage Rhinestone Costume Jewelry

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One of the biggest challenges for the new collector is determining which pieces of vintage costume jewelry are most profitable to target and which to avoid. While fine jewelry was often hand-made using precious materials like diamonds and rubies, costume pieces were made in mass batches using semi-precious materials like quartz and topaz. However, you should never mistake vintage costume jewelry with the cheap glittery garbage you see in most department stores today.



American soldiers were the first to purchase costume jewelry in French boutiques during WWI, making the jewelry widely popular after they returned home. In fact, by the end of the 1920's, the once-European industry was dominated by American companies like Coventry, Eisenberg, and Coro creating many of the most prized collectible pieces.

Profitable collecting definitely boils down to identifying the valuable pieces while avoiding the pretty but worthless ones. Ultimately, the value of any piece is determined by:

Supply

Demand

Design

Materials

Condition

If other pricing factors are held constant, then the rarity of the piece will greatly determine value. With so many producers of costume jewelry, no uniform batch size was established, causing supply to vary dramatically according to manufacturer. Production runs tended to be relatively large for big companies like Coro and Brooks, producing a larger market supply, and thus less demand.

As with any product or service, greater demand will always translate into a higher price. Eisenberg jewelry will likely always be a hot item in the collectibles market, but be on the lookout for Miriam Haskell pieces as they are popular at the moment. Some designs are collectible while others are not. Learning to tell the difference between the two will ultimately determine whether collecting is profitable or just a hobby. Remember, the most popular designs are not necessarily the prettiest or most unique, but they will be more profitable to collect. However, demand for a particular piece is stimulated most often by the actual design of the jewelry.

Collecting vintage costume jewelry for profit is complicated by the fact that most of the pieces are actually unsigned. Seasoned collectors will not hesitate to shun a signed piece in favor of an unsigned one featuring a unique and impressive design, as unsigned jewelry tends to be undervalued and the most profitable to collect. One sure way to identify a particular manufacturer is by design. Some manufacturers consistently produced pieces of exceptional design and are highly coveted by collectors like those made by Bogoff and Hollycraft.

Although the design is critical to the overall demand of any particular piece, the materials and construction techniques used to make the jewelry ultimately validates or repudiates the legitimacy of the design. Pay particular attention to the type and quality of gemstones on any given piece since the stones will greatly affect value. Gemstones of exceptional quality were consistently used by a few of the major manufacturers such as:

Bogoff

Bergere

Weiss

Eisenberg

As is the case with any vintage costume piece, final antique value assessment will ultimately be based upon condition of the piece. But remember, even vintage pieces showing considerable signs of wear can still command $100 or more. By knowing what to look for, seasoned vintage costume or fashion jewelry collectors can still make great profits even off of slightly damaged or worn pieces.
Vintage Rhinestone Costume Jewelry
Authentic costume jewelry actually originated on the stages and theatres in Europe before becoming popular in the U.S. Shortly after the popularity exploded during the 1920's, American companies began setting up shop and soon dominating the industry. These same companies produced some of the most coveted collectible vintage costume necklaces, bracelets, rings, and other jewelry. Some popular American manufacturers to keep an eye out for at the flea markets include:

Coro

Eisenberg

Weiss

Trifari

Barclay

But what truly makes costume jewelry unique and potentially valuable? The very first true costume jewelry appeared on theatres throughout Europe before being brought back to the States by American G.I.'s returning home from World War I. American manufacturers began dominating the industry from the 1920's onward. Signed vintage costume necklaces, rings, and other pieces are worth more money. Some popular American companies known to produce high quality and highly collectible pieces include:

Trifari

Eisenberg

Art

Carnegie

Coventry

If you know what you are looking for and can distinguish the worthless knock-offs from the genuine Eisenberg necklaces and other top pieces, then you can literally make a great living--while having fun in the process! Value is determined by:

Rarity of Piece

Demand

Design

Quality of Construction and Materials

Current Condition

The supply of vintage jewelry varies greatly and this affects pricing in a big way. The jewelry itself was supplied by dozens of manufacturers. Batch sizes could vary dramatically from one company to the next. Larger companies like Coro and Trifari would commonly produce thousands of pieces of each design. Barclays, DeMario, and many of the smaller companies had limited facilities and thus tended to have far smaller batches. Because signed or stamped pieces from the smaller companies like McClelland are rarer, they tend to sell for more than similar pieces from the larger manufacturers like Coro. But, the other four factors will also affect price but supply is definitely a big factor in the equation. Yet even large manufacturers conjured up a small specialty batch for holidays and other special occasions. In most cases, the specialty pieces will be of higher value than others produced by the very same outfit.

A piece of jewelry can be rare but command little demand for some reason or another which will greatly affect value. While you can't give away pieces people don't want, those in demand can command several times their original purchase price. Despite having some rather odd designs, signed Miriam Haskel jewelry is in high demand right now. Potential investors need to do a little homework on the Internet to find which designs are hot and which are not in order to identify the best pieces to buy. It doesn't matter whether you like the popular designs or not--just remember that they will make you more money!

But what actually affects market demand? Without question, the design itself is one of the biggest factors that affect the demand for any piece of jewelry, costume or otherwise. While novice investors tend to focus exclusively on the signed vintage costume pieces, the unsigned one featuring unique and compelling designs are often the most profitable to collect. Collecting vintage costume jewelry for profit is complicated by the fact that most of the pieces are actually unsigned. Simply knowing what makes a great design great can actually help you identify the unsigned pieces and optimize profits. Unsigned pieces by companies like Bergere and B. David are highly prized by collectors and can be identified by their distinctive but high quality designs.

The quality of construction and materials used to make a piece of jewelry ultimately vindicate or condemn any design. The gemstones are typically the most relevant materials when it comes to the value of a particular piece of jewelry. There were some companies that were famous for using gemstones of exceptional quality though none of them would be considered precious. Bogoff, Eisenberg, and Weiss are all great investments because they almost always had great designs made with high quality stones.

Without question, Eisenberg costume jewelry is renown for being of exceptional quality and design. This makes it very hard for collectors to buy and sell it for a profit. If you are trying to find some profitable pieces to purchase at cheap prices but still command a lot with serious investors, look for jewelry made by these companies:

Danecraft

Kramer

Bogoff

Weiss

Monet

Ultimately, the overall value of any piece of costume or fine jewelry is assessed based upon its current condition. Excessive signs of wear, lost stones, and discoloration are all factors that can lower the value of a vintage necklace, ring, brooch, or any piece of jewelry. But while some degree of wear is expected, it is not the only factor that determines price. Collectors who do their homework can still make a tidy profit off of damaged or excessively worn pieces by knowing how to spot the hidden gems.
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About Author
Both Jon Kreps & Sandi Kapiszka are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Jon Kreps has sinced written about articles on various topics from Jewelry. Jon Kreps is a specializing in period sets.. Jon Kreps's top article generates over 880 views. to your Favourites.

Sandi Kapiszka has sinced written about articles on various topics from Jewelry. Sandi Kapiszka is a specializing in period sets.. Sandi Kapiszka's top article generates over 880 views. to your Favourites.
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