It is perhaps in the nature of the British psyche that they don't realise how good they have got it on their own doorstep. The annual Edinburgh Festivals are regarded world wide as some of the best Europe has to offer in terms of film, literature and music. However, only a third of the visitors are locals. In past times there has been is a similar pattern with London's West End. For years visitors from America and Europe had been flocking to see shows, in theatres they considered to be among the finest in world – yet domestically Britons didn't seem aware that they had productions of such exceptional quality in their own backyard.
However, it appears that the summer season of 2005 may finally end this trend, with a number of high profile shows that have captured the imagination of the British public. Indeed, critics are already hailing 2005 as the best and most important summer season for years in London's West End with a number of family orientated shows like The Lion King, Mary Poppins and Chitty Chitty Bang Bang earning rave reviews.
Perhaps no other show has contributed to the hype surrounding this years season more than the film turned musical production of Billy Elliot. Adapted from one of the most successful films to have come out of the UK in the past ten years, Billy Elliot is the tale of a young boy trying to achieve a career in dancing while growing up in the midst of the bitter miner's strike of the mid-1980's. The original story captured the hearts and minds of the British public when the movie was released and received world wide recognition with 3 Oscar and 13 Bafta award nominations.
While certainly the biggest name Billy Elliot isn't the only production that is leading the way in the explosion of family orientated shows. The Disney classics Lion King and Mary Poppins have proved immensely popular since their launch with their award winning scores providing the perfect family entertainment. Mary Poppins has been magically brought to life on stage by Thomas Schumacher, producer for Disney Theatrical Productions while The Lion King looks set to entertain children and adults for generations to come.
In addition to the number of quality family focussed shows there are also a number of more adult orientated productions such as The Producers being shown at the Theatre Royal Drury Lane. With the music and lyrics done by the legendary Mel Brooks, The Producers is a story that revolves around washed-up theatre producer Max Bialystock who, along with his timid accountant cooks up a scheme to make a fortune by presenting a sure-fire flop and taking off with their investor's money in the process. The show has broken box office records across the globe and has the acclaim of winning the most Tony Awards of any show ever, including Best Musical and Best Original Score.
Described by the Mail on Sunday as being ‘touched by genius' , Mamma Mia opened to rave reviews and looks set to continue to break Box office records at The Prince Edward Theatre throughout the summer of 2005. Based on a book by Catherine Johnson, Mamma Mia is an original musical telling the emotional story of a mother and daughter set on the eve of the daughter's wedding. Fans of Abba are bound to be entertained as the band's classic songs are used to drive this wonderful story to its conclusion.
Another reason why 2005 is predicted to be so successful has been the upturn in the amount of people who now see going to a show part of a weekend's entertainment – as opposed to an evening out. In the past a visit to a show may have involved a rushed trip to London, battling through the traffic before returning home late at night. However, many companies such as http://www.superbreak.com are offering ‘theatre break packages' which allow people to not only take in a world class show – but let them relax afterwards in a nearby hotel without the worry of rushing home.
Nearly all the top shows have ticket plus accommodation packages and these breaks are set to become more popular than ever with the explosion of publicity surrounding shows such as Billy Elliot. Perhaps one of the main reasons why the packages are proving so popular is that even when shows are ‘sold out' tickets can still be found (often in the best seats in the house) as part of these great value package deals. With so much to do in London taking the time to further explore the city (and not simply rush in and out of the show) is becoming an increasing popular option for hardened theatre goers and families alike.
With the hype surrounding so many of this years shows the perception of the West End is one of increased accessibility to the general public. This change in perception can only be a positive for the UK's theatre industry. With box office records already being broken this year, it seems that Briton's are finally realising what tourists have known for years – that the West End has the best variety of shows anywhere in the world.
West End Theatre Reviews
The words ?credit crunch? and ?financial crisis? are only too common as the media enters its annual period of reflection and looks back and review the year. While the recent knock to the consumer's confidence has had an impact on London theatre with a number of early closures, in review 2008 is more notable for its successes than its failures in the West End.
The year kicked off on a surreal note with with Lord Andrew Lloyd Webber wandering into Channel 4's Hollyoaks to find a new Maria for The Sound of Music. The bizarre life-reflecting-art-reflecting-life scenario resulted in Summer Strallen stepping into Connie Fisher's postulant shoes at the London Palladium.
Happily, ALW turned his back on acting and returned to judging the BBC's talent search for his next project, joining Cameron Mackintosh to cast Oliver! at the Theatre Royal Drury Lane. This series, I'd Do Anything, sought to cast two roles, with Gwion Jones, Harry Stott and Laurence Jeffcoate chosen to alternate as Oliver, and Jodie Prenger being voted the public's Nancy. The Blackpool lass is attracting fans from across the country to see her perform with many choosing to book Oliver theatre and hotel packages
2008 has been a rollercoaster for West End theatre, a feeling only emphasised by constant media reminders of the shaky economic climate. The public's unwillingness to risk their money on new shows was blamed for the dismal failures of the musicals Gone With the Wind and Imagine This, and for a spate of early closures this autumn, with Riflemind, Eurobeat, Girl with a Pearl Earring and Never Forget all closing their doors well before their contracts were up. However, it wasn't all doom and gloom for new shows, as 2008's runaway musical successes Jersey Boys and Zorro will testify.
By the end of the year, these tragedies have been outweighed by some breathtaking triumphs, and 2008 is the year the West End has shown Broadway how its done. Wicked's Kerry Ellis caused a sensation when she transferred to the New York production in June, while her London replacement Alexia Khadime sent UK audiences into a frenzy. Wicked theatre breaks continue to sell like hotcakes as demand for the show grows outside of London.
By far the biggest success story of 2008 was for Mamma Mia!, which has not only branched out beyond London, but beyond its genre. While ecstatic kids rushed to regional theatres to see Disney's High School Musical on the stage, the grown ups were stampeding the cinema as Mamma Mia! the Movie became the biggest blockbuster of the summer. With a stellar cast including Meryl Streep and Pierce Brosnan, Mamma Mia! has beaten 1998's Titanic to become the highest grossing film ever to be released in the UK. The Stockholm premiere saw the four members of Abba together in public for the first time in over twenty years and the frantic hype worldwide has driven even more fans into what is already an international stage sensation.
So, ever-optimistic, and providing welcome escapism in these dark economic times, the West End's 2009 looks to be another triumphant year.
Both Robin Richmond & Steave Austin are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
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