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Writing About A Book

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Volumes have been written to show you how to write a book, so you know I won't be covering every step of writing a book in detail. For more information, look at the other articles in this series and for all the instruction you'll ever need make sure you sign up for the email lessons at the bottom of this page.



First, decide whether your book will be fiction or non-fiction. Story, or how to.

Next, know how long your book will be. All non-fiction should be about 200 pages. 200 pages for fiction, too, unless you're writing in a specific genre.

Each book with have 20 chapters and each chapter will be about 10 pages in length. Nothing is carved in stone, these are just some basic guidelines.

For your work of fiction, you'll need a plot. Only a fool will try to develop a plot from scratch. There are already so many plots out there that are ready to be used. Get hold of a bestseller in your genre that's about eight years old. That's the plot you're going to use. Change the names, change the places, change the scenes. If it's a futuristic science fiction, make it a period romance. If it's a western, make it contemporary.

Remember, Gene Roddenbury sold Star Trek to the Studio by describing it as "Wagon Train among the stars." If you change everything except the plot, you're not plagarising anything and there's absolutely no problem with copyright.

Read the old bestseller, divide the plot into 20 chunks, and you've got your new story. Rewrite that book as quickly as you can, but don't look at the old bestseller any more. You already know what the story is. (And the market has already proven it's a bestseller!)

For your non-fiction, remember, 20 chapters, 10 pages per chapter. Read the non-fiction books on your topic out there already. There will be chapter topics common to all of them. These are the same chapters you should put in your book.

Additional chapters should include answers to the questions you're always hearing from clients or others involved in the topic. And make sure you include at least one chapter about your own very special and unique 'technology' for getting the benefits the book topic offers. That 'technology' strategy will be found in another article in this series.

In both cases (fiction and non fiction) write as quickly as you can and complete your book immediately. The more deligently you work on your book before you start writing, the less work you'll find involved in the actual writing of your book.

And there are no points awarded for the outstanding book you're going to write in the future. Even the mediocre book you've written has far more value than the blockbuster that has yet to find the page.

That brings me to editing your book. Two points are essential for you here:

First, the faster you write, the more you will write the way you talk and that will give you a very sellable manuscript.

Next, you can't perfect something until it exists. Don't edit a single word until you've got the manuscript finished. If you find yourself going back over a line you've just written, STOP and return to the writing of your book. No one is going to be reading this work until you're satisfied and so your time is much better spent just completing the book, rather than spending the next year perfecting the first chapter.

Want to know how to edit your book? No problem. You edit your manuscript by following the cardinal rule about editing... Omit Needless Words.

If you have the time, go though each line and look at each word. Can it be eliminated, consolidated, or minimized? Can the sentence be made shorter yet still maintain impact?

Take any sentgence at all. Remove the needless words, and you've increased the power of that writing at least 100%

Here's the final element about your book you should know: It will never be perfect. There will always be flaws, pieces of story or information you should have included, suggestions by editors and agents that seem obvious when they're made.

Don't get bent out of shape about it. Make the corrections if you can make them. Live with the wonderful published book (and remain silent) if it's already printed.

But whatever you do, start now, start today. Make it happen. There can truly be nothing more exciting or rewarding that getting that book written.
Writing About A Book
All of your life imaginary ideas have been floating around in your mind and one day you decide to unleash that creativity and write a book. What a wonderful thought. You go to the keyboard and put the first sentence onto a blank piece of paper. The first sentence soon becomes the first paragraph. The first paragraph turns into the first page in a short period of time. After that the first page becomes the first chapter. Several months later the first chapter turns into your first novel.

What a wonderful accomplishment! Congratulations! You feel as if you are the next literary heavyweight to explode onto the American market.

Not so fast. Let's look at how the real world views your remarkable achievement.

If you've done your homework, then you know that the manuscript was written with twelve point New Times Roman type. The work is double-spaced. You've saved it on disc and probably printed it with the help of your desktop printer. Now what? After all, you feel as if this masterpiece is the next great piece of literary work in American culture.

Do you want to market the intellectual property? If so, how do you go about that? Virtually all literary agents and publishing houses will not accept unsolicited material. You ask what unsolicited material is and find out that it is a piece of literary work that does not have a referral source. In other words, you don't know anybody that can get the finished piece of work through the front door. Now what?

You might ask around to see if you can get an intellectual property lawyer. What is that you ask? That would be a legal representative that can get the work copyrighted and protected from the people that you don't know out there.

You may submit the piece to the Writers Guild and obtain a registration number. They accept downloads from personal computers and for a small fee can protect your work for a short period of time. But you wonder how that will help you. At least with a Writers Guild registration number the work is somewhat protected from anyone that might try to steal it.

However the question remains. How will either of those sources help to get you through a door? The only thing that I can suggest is that perhaps the intellectual property lawyer has some contacts in the literary agency field or the publishing business. After all, up to now the lawyer is the only live link into the industry.

But what happens if that fails? Then you might have to research self-publishing houses and self-publish your first novel. Things could be worse. There are many different packages available that range anywhere from around five hundred dollars up to twenty thousand dollars depending on what you want to try and accomplish and how extensive you would like to market the book.

If you choose to self-publish, then you'll be able to decide whether or not you can design your own cover or pick from some of the generic ones that are offered. You'll have an opportunity to pick the size type that you would like to use. Different formatting styles will be offered. Hardback and paperback editions will be offered.

But have you thought about proofing and copyediting? Will you have to rewrite the novel after it is looked at by an editor? What happens if someone that you have chosen to offer an opinion says that it is not worthy of being published in the shape that it is in? Your expenses will increase as the various jobs are performed.

Let's assume that the manuscript needs some sprucing up and it is determined that you have to pay someone to read, review, and change the text. Is that an expense that you had budgeted into the project? The proofreader will need to be paid after the text is altered. After all the typos will need to be found and fixed; the sentence structure will need to be corrected. Did you plan on that expense as well? Now it is time to design your own cover. Did you leave enough money for a graphics design artist to assist you with that creative endeavor? You ask yourself if all of this is worth it.

Life is churning forward. You have written your first novel, but have finally admitted that writing the prose was the easiest part of the process. Not only that, but it is starting to get expensive and you still don't have an agent or a publisher that is remotely interested in reading an unsolicited manuscript. You surge ahead because you want to show the world your wonderful achievement. Several expensive checks are written to the self-publisher, the editor, the proofreader, and the graphics design person.

Now what happens? The production people with the self-publisher carry out their duties. You become aware of all of the dates and deadlines for the production schedule. Final approval forms are signed. You wait your turn in line. Finally the date comes where the book is hot off the press and you are sent a hardback edition as well as a paperback edition. Finally, after all of the time that you have spent on this project you are a published author. Now what?

Have you thought about how you are going to tell the world that your masterpiece is completed? Have you budgeted dollars for marketing the creation? Have you thought about how the book was going to be distributed to book stores? What happens if it does get into the book stores but you find out that the world is not knocking the door down to buy the finished product? Have you decided to build a web site to not only market the book title but also the author's name?

Now frustration sets in. Welcome to the world of unknown authors. You are not wanted by agents. Large publishing houses don't want anything to do with you. The only people that really want to read your book are the small group of friends and relatives that are in your inner circle. You get discouraged. You throw in the towel. You've spent a ton of money and it has gotten you minimal results. What other suggestions are there?
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About Author
Both Steve Manning & Jim Ross are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Steve Manning has sinced written about articles on various topics from Writing, Self Esteem and Writing. Steve Manning is a master writer showing thousands of people how they can write their book faster than they ever thought possible. Here's your free Special Report,. Steve Manning's top article generates over 4400 views. to your Favourites.

Jim Ross has sinced written about articles on various topics from Criminal Defense Law, Golf Guide and Writing. James Ross, a University of Missouri-Columbia graduate, went to a keyboard and let the words flow through his fingertips. Lifetime Loser is his first novel. Consumed by the writing bug, he is working on more books. Visit. Jim Ross's top article generates over 49500 views. to your Favourites.
Briefcase With Shoulder Strap
These days, most shoulder pain can be resolved. With any luck you will be able to get back to throwing in the backyard in time for spring training
 
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