The first time I met cartoonist Rick London, founder of Londons Times Cartoons, he was not yet a cartoonist, but a successful entrepreneur who had founded an interesting bus tour business in 1988. I was a freelance journalist then, and he was getting major media coverage worldwide so I stood in line for an interview. He was quite affable and down to earth.



As it turned out, in addition to being in business, he was a writer as well and we stayed friends. Around 1994 or so, we lost touch, but found him on the Internet in 2005. I discovered him by accident, looking at various offbeat cartoon websites, and found he had one of the largest, most visited, and funniest.

I contacted Rick in the summer of 2001, at his Arkansas home of Hot Springs. I asked him if we might conduct an interview and he agreed but was not feeling well and also was busy with his website. He begged to put it off until he could finish up some work he was doing and check on his medical condition. I agreed there was no proble with that.

The following week I both called and emailed him but there was no response. I attempted to contact him a few more times and still no answer and finally gave up, figuring he was way too busy to take time with a freelance journalist when he was continuing to get so much media and Internet attention. As it turned out, that was not why he did not respond. On September 10th, he emailed me and asked me to contact him by phone which I did. His voice sounded weak and words a bit slurred. As it turned out, he had just been released from the hospital after suffering a major heart attack. I told him the interview could wait, rest was more important. We spoke a little more, he was lucid and coherent, and explained we could do the interview by phone and email but to only do a few minutes, ten at most, per day, and we could finish it within a month.

One day later, of course, a day that is a day of infamy, he called me and sounded very distressed He said he was watching the news and felt he might be having a bad side effect from the medicines given to him because he was hallucinating and feeling that planes were crashing into buildings in Washington and New York. Of course, living in Northern Va., right outside of D.C. I knew were right in the middle of 9/11. At first I hesitated to explain to him what I felt was happening, but knowing him, I also figured he would figure it out sooner or later, so I told him America was under attack, but not to worry, it was not happening where he lived. He said that was not the point, that his only family and friends were still in the D.C area and he needed to contact them. I told him I would do that for him, to rest. By the end of the conversation it was clear he was very upset, and I was worried that his heart may fail again. I told him to please not worry, but was crying slightly on the phone and I could tell he was too. We hung up. I called him back several days later and he was more lucid and had been watching the news. Though we both were still in shock, we understood we were under attack. Being near the Pentagon at the time, it was very difficult for me to maintain my compusure. I did my best.

"A fighter" would probably be the best way to describe this creative man. I explained to him there really wasn't much he could do at this point. We went on with a series of intermittent conversations, of which he would occasionally pause, change the subject, and tell me something about "a cat" or it sounded like that. I didn't know what he meant, but I jotted it down on a pad.

Less than a month later Rick sent an email with the following link. http://www.londonstimes.us/cat/cat.html . While the Interview was in progress, and Rick was at the same time in bed convalescing from a near-death experience, he had launched CAT (Cartoonists Against Terrorism).

I have seen a lot, but I must say I was surprised at his labor. He had convinced cartoonists from around the world, to contribute cartoons they had published on the topic of September 11, 2001. It was project so large and imaginative in scope, I could hardly believe a man with perfect health and all his cognitive functions could have pulled this off, and he didn't even know if he would live or die while in the process.

His strategy was to numerous contributions to publish a book that would benefit the widows and families of the firefighters who perished on 9/11. He would do so through the Salvation Army. The problem was the cartoons were 90% in four color, and color is expensive to reproduce, plus, most of the major publishers who could pull it off, were in downtown New York. Many were not even up to full-speed with their presses yet; some were not back to work yet. He tried many other angles but nobody would bite. So he decided simply to leave the CAT site up as a permanent monument, and, that perhaps one day, someone would see it, not in his lifetime, and publish the book to help the descendants of the lost firefighters and police of 9/11.

Within a few weeks, a firefighters union noticed the CAT site and awarded it the prestigious "Hot Site" Award, which remains on the CAT site. In addition, one of the cartoons rendered by Johann Wessels hung in the Museum Of Illustrative Art in New York for three months, and then was donated to a station on Long Island that lost more firefighters that day than any other, percentage wise. It still is showcased on their wall as a memorial. It is simply called "Hoses" and it portrays a red, white, and blue, American flag made of fire hoses. Cartoonists from as far away as Canada to Brazil and as close as Oklahoma contributed. It was quite a feat, an incredible project that remains a major icon on the Internet in memory of those we lost on that tragic day, developed by a humble man, Rick London who was struggling for his own life at the time. According to doctors, Rick had lost 60% of his heart function, and still pulled htis off. Not many have that claim.

A few months after the site was up and running, and he was feeling a bit more energy, Rick was contacted by Arab Times Cartoonist Mahmood Kahlil, based in their London office, who is now deceased, asked Rick if he could donate cartoons to the site. Rick is Jewish. Mahmood was Muslim. Rick gave it the okay, but many on his cartoon team were not in agreement. Rick's explanation was that even though we may philosophically disagree with the cartoons, it is important to show the world what freedom of speech is all about. The message being sent out was far more important than whether we agreed or disagreed with this cartoonists point of view. In my opinion, that takes a very open and humble mind to transcend what had happened, and Rick did not censor the man because of his religion or creed, during a time when many others were doing so. In fact, the two became friendly, and chatted often, even though their major disagreement, of course, concerned Israel, they both agreed to disagree and ended each conversation with laughter and a joke or two. Rick was visibly upset upon hearing of Mahmood's untimely death while in his mid-40's. Rick left Kahlil's cartoons on the site and told me they would stay, even though he disagreed with them.

I have visited both sites, the CAT site and Rick's main Londons Times Cartoons site. When asked what the funniest cartoon I've seen is, it would not be fair not to mention Rick's cartoons. The site has about 8000 or more of his original concepts (his creative illustrative team render them) and many of them are classics. I put them in the same league with The Far Side. They are tremendously funny and worth the visit to his site.