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Become A Literary Agent

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This might sound like a luxury, but it is difficult these days to grab the attention of a literary agent. However, it is this very theory where the key of being a successful literary agent lies. A successful literary agent always responds to the needs of writers. Many writers leave their agents because of the lack of attention they receive.



Apart from paying the required attention to an author, a literary agent has other jobs to do as well. They first have to deal with proposals and to decide which author they should represent. A literary agent also offers editorial and career advice to authors.

An agent also has to manage intellectual property rights. The literary agent sends out manuscripts and proposals for consideration. It is the job of literary agent to negotiate deals with a producer/publisher on the behalf of an author. They also have to keep the producers updated on the works of the author.

An important part of a literary agent's job is to build up contacts within the industry.

Earnings and Eligibility

Commission for a literary agent can be 10% to 20% of the author's total earnings. A literary agent's work is mostly office-based, but he also has to be out and about to meet people and secure opportunities. A nice way to create new contacts is to attend receptions, openings, and trade exhibitions.

Literary agents are expected to have good communication skills as well as business acumen. Graduates can opt to be literary agents. Such people also gain experience as rights managers, personal relations officers for sales, subscription rights or as commissioning agents.

A literary agent can work in large and structured agencies, in mid-sized firms or as an independent contractor. Some agencies represent estates - families of deceased authors. Agencies may also have foreign rights.

Agents can specialize in a particular genre or writing style, or simply writing in general.

A Day in the Life

A typical day for a literary agent from a mid-sized firm would start off with dealing with foreign publishers and drawing up contracts with them. This is because of the time difference between the two parties. Later, they review correspondence from local publishers that were sent in the mail.

Literary agents usually go to lunch with the editors of publishing houses, so that they can sell manuscripts. It is usually the editors who take the agents out for lunch, and it is usually at the end of the main course that the sales pitch is made. Until then, they might make small talk or discuss various projects.

After returning to office they make calls to or attend to calls from writers and negotiate with publishers. It usually takes editors some time to evaluate a project. If a certain book seems to be perfect match for a particular publishing house then an exclusive offer is made. Once an offer is made, the process often proceeds rather quickly.

The evening is usually spent attending book parties. In the absence of parties, evenings are used to read scripts. The weekends might also be consumed with reading manuscripts.

If you like people, have a knack for writing and can sell, then a career as a literary agent can be both lucrative and personally rewarding.
Become A Literary Agent
I have lived in New York City my entire life. I often feel privileged to be a part of the energy and magic of this Mecca of celebrity. Under the semi privileged dome of my existence, I encounter the rich and famous at every turn. When I was a teenager, I crossed paths with Jerry Lewis in Times Square and bumped elbows once with Marvin Gaye.

As a passionate college student of Cinema Studies, I dined across the room from Woody Allen and stopped to compliment his latest film. At Caf? Des Artiste, a rather high end restaurant in Manhattan, I was celebrating my thirty-fourth birthday when lo and behold, charismatic Mayor Lindsey walked past my table. At a function at the World Trade Center many moons ago, I stood next to Barbara Walters and had a chat about something terribly mundane. I walked away feeling we were friends. I caught the eye of Andy Warhol window shopping on Madison Avenue, admired Faye Dunaway on Fifth and called after Joni Mitchell on the corner of Forty-Second and Third, just to say I was a fan.

I could go on and on. Bill Clinton even used the bathroom in my building once. This is truth. I guess he couldn't hold it and his bodyguard entered our lobby to announce the dilemma. I believe my doorman has a photo of the cherished night. Not Bill on the john of course, just Bill and Pete, the doorman. So I didn't actually see Bill but my doorman did.

I'm not bragging about any of this but I do live in New York. I've gone to charity dinners with actors, singers and statesmen. I've been lucky enough to spend my summers in East Hampton where celebrity is as common as sand and let's not forget, Bill Clinton used the bathroom in my apartment building.

But here's the rub. In all my years living in this fair city I have never met a literary agent, or even seen one close up. Being a writer who's having a hard time getting published, this is a sad fact. They don't seem to live anywhere near me. They're certainly never in my neighborhood and we have a lot of good restaurants on the upper west side. I can't help wondering where they do eat. They don't show up at the same parties across town and they don't even drink at the same bar. I never even sat next to one on an airplane.

Where do you think they are? Hiding from me, perhaps? Do they see me coming, hungry for representation and run for the burbs? Do I give away my yearning for them in my expression, my need to be discovered, appreciated and signed on? Do I have to find a conference in which to pitch my precious novel? Why can't we have a friendly chat in the elevator? Why can't I find their missing pooch and emerge a hero, why aren't they related to my Aunt Em? Where the hell are these people?

I would know one if I saw one, I'm quite sure. They are the befuddled ones whose briefcases overflow with manuscripts and queries. They wear formula friendly smiles and Next Bestseller buttons on their lapels. I think they only come out in the daytime because they have to go home and write rejection letters. This takes practically the whole night so most of them have circles under their eyes. I think they only speak to one another because they don't really know what makes the average reader tick; they think it's just about clothing the same characters in different color khakis.

So maybe they're the zoned out sleepyheads on the subway listening to the same CD over and over again. You know who I'm talking about; they're the people asleep behind their sunglasses, lattes and ipods, exhausted by the latest seminar on What the Industry Wants. Maybe they're really jaded, so much so that the words in the books they read run into each other and one good novel is just like any other. They're probably not aware anymore that Tolstoy is not the Russian word for "hello" and Jane Eyre is not a brand name for refrigeration. This isn't because they're stupid, it's just that their minds are too full of the contemporary maze of repetition and when you put so much time in trying to find the next New York Times bestseller, you forget things.

I keep looking for agents all over the place despite their shortcomings. After all, I'm a writer and my manuscripts need a mommy or daddy who will believe in them and sell my book's screen rights or get me a major publishing deal. I mean, after all, I'm told that's what they do for a living. Don't they need me as much as I need them?

Well, I'll be patient. I guess they'll find me when the time is right. And like a Vampire after blood, they'll emerge out of their misty obscurity, charming me into believing they've been there all along, just waiting for the richness of my words, the taste of my appeal.

Once they devour me with promise, I will be theirs forever. I'll see them flying through the cavern of my dreams, their faces close, the contract of eternal representation in their hands. As these prolific little pundits move from shadow into form, their eyes burrowed in my manuscript, at last; their image, finally, clear as a dime store novel plot, I'll tip my writer's hat and welcome the occasion, as if the absence of these literary phantoms, was never felt.
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About Author
Both Tony Jacowski & Vera Jane Cook are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.

Tony Jacowski has sinced written about articles on various topics from University, Six Sigma and Information Technology. Tony Jacowski is a quality analyst for The MBA Journal. Aveta Solution's Six Sigma Online offers online and certification classes for six sigma pro. Tony Jacowski's top article generates over 90500 views. to your Favourites.

Vera Jane Cook has sinced written about articles on various topics from Careers and Job Hunting. Vera Jane Cook: Dancing Backward In Paradise has received rave reviews as well as an Eric Hoffer and Indie Excellence award in the Literary fiction category. Vera's next book, Hearts Upon a Fragile Bough, will be published in 2008. Visit her web site at. Vera Jane Cook's top article generates over 880 views. to your Favourites.
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