Just like the faucet on our kitchen sink, we need to learn how to control its flow. Just like the surf tide in the sun, we need to learn how to ride its bounteous and energizing waves.
Think of your own bathtub, and the inflow of water as you run a relaxing, hot bath. If you were taught as a child how to notice where life's energy currents are naturally moving in any moment ? you'd be living a so much simpler, happier and abundant life now.
But you weren't. You were taught to hold ideas entrenched in your mind, sometimes defending them to death (both metaphoric and physical). You learned how to live in fear and doubt yourself, missing altogether this natural, prolific source of life energy and with it, your opportunity to ride easily to your resplendent shore of golden dreams ? ?the pot of gold at the end of your rainbow?.
It's like we're all crippled, stunted, living only a marginal percentage of our full potential ? simply because we don't learn how to ?go with the flow?. This isn't a ?hippy expression?. Quite literally, it is describing a system in physics - like an eagle soaring effortlessly on an updraft, or a kite zooming joyously in an unapologetic wind.
We need to learn to be like nature. It's time to dust off our old lenses of perception - the 'vision' through which our brain interprets the world. We need to remember ... how to flow.
In the past year there's been a global ?buzz? about the ?Law of Attraction?. The Law itself is not new. It's been in existence for all eternity. What's new is our mass recognition that there's something of primal importance in it - something that is worth us paying our keen attention to.
Many people - in our limited, conditioned perception of ourselves, humanity and the world - make the crippling assumption that, to get something we want, we need to draw it to us.
This is a 180? reverse of the truth.
I'll give you two examples ?
If you've ever been to Amsterdam, you'll know that the houses there are tall and extremely narrow. And so the staircases within them are steep. To get objects of any substantial weight into a house, a pulley is engaged. Installed just above the uppermost window of the house, heavy objects are hooked in at the street level, pulled up via the effortless strength of the pulley system, then received in through the window. As it relates to the ?Law of Attraction?, the upper window is where we receive what we want. The object on the ground IS US.
Here's another metaphor to describe this ?
If you've ever fly fished or watched someone in the midst of its hypnotic trance, you'll remember that the art is in the cast. The hook is 'thrown out' - far away from where the fisher person stands. And then ? the line is reeled. In the case of fishing for fish (what most people do!), the perception is that the fish is then reeled in, towards the fisherperson. As it relates to the ?Law of Attraction?, it is the fisherperson who is reeled towards the fish ? the desire which is the fisherperson's longing.
When we 'get this' - when we fully understand that we're the one that needs to move, to expand our comfort zone, to swim into new waters toward our heart's desire rather than waiting for it to come to us, we'll see action in our lives - beyond our wildest dreams. We'll receive the bounty that early settlers chased ? and found. We'll open the faucet, wide ? and embrace all that we cherish in our mind's longing, all that for which our heart truly sings.
Quality Control Flow Chart
How many media files go into the average digital signage system? Well, that is hard to say. It depends, of course on the size of the network and the quantity of messages it runs, but if you consider how the typical digital signage playlist is created, you will see that the number of media assets can easily run into the hundreds or even thousands. A file management system is essential to keeping track of each and every one.
Digital Asset Management (DAM)
A digital signage creator takes individual media assets and combines them to create a playlist. A recent Digital Signage Today guide likened playlists to notes on a musical staff, with each note being a media file, and the collection of notes on the staff constituting the playlist.
To understand the content management challenge, consider the many files that digital signage creators work with: MPEG and AVI, Flash or other animations, still images and graphics, fonts, HTML and messages in many forms, including straight text, crawls and scrolls. Managing single instances of each of these files is only the beginning. These files go into playlists that appear on different types of displays across a broad network. Each digital signage deployment may require different versions of the same file for portrait and landscape orientations, and for any number of screen sizes, from small 15-inch displays to large 60-inch screens.
Content management is an issue for businesses of all sizes and in all industries. Content creators, from technical writers to graphic designers to digital signage editors, can write volumes about the content management systems they have developed to handle the large quantities of files they produce.
As these creators will tell you, there are three key components in any successful content management system – a robust content management tool, metadata, and strict filename conventions.
Of course, the most straightforward and commonly used analogy for computer files is that of a library. If your files are a library, the content management system is the tool that creates the classification system. In digital signage applications, this system is called digital asset management (DAM) software. The DAM controls access to the media assets and helps define workflows for adding items to the “library”. And, just as the Dewey Decimal System allows a librarian to tag a book so a library patron can easily locate it in a sea of thousands, the DAM software enables you to tag your files with descriptors, also called metadata.
Metadata is, to be brief, data about data. In the context of digital signage, it can be used to assign tags that indicate where and how a media file should be used, perhaps by describing its resolution, orientation, or even its content. Metadata can be as simple as a date, or as detailed as “Promo for upcoming buy-one-get-one sale”. Just like the call number on a library book makes it easier for you to find it, metadata makes it easier to search for and find specific media files.
Of course, as any computer user will tell you, filenames are of vital importance to managing data. Without a consistent naming convention, files can easily be lost, whether they are Word documents or digital media. A naming convention should be in place before any digital signage network is launched. Use attributes like resolution, orientation, season or type of promotion consistently in your filenames so you can quickly judge whether the file you are selecting is the correct one.
Both Ariole K Alei & Crystal Hargrave are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
Ariole K Alei has sinced written about articles on various topics from self improvement and motivation, Dating and Romance and self improvement and motivation. Ariole K. Alei is a Teacher, Keynote Speaker, Coach and Author of 7 books. She is the Co-Founder with her husband Colin Hillstrom of HeartSong Matchmaking - "the world's first holistic meeting site for singles interested in spirituality and ecology" and i. Ariole K Alei's top article generates over 49500 views. to your Favourites.