Most singers are able to sing in the chest voice, but need to work on the head voice. For women, it is a very high pitched sound and for a man it is also a very high pitched sound that is called falsetto. A practicing singer needs to work on the bridge between the chest voice and the head voice so that it is a smooth, a seamless flow of sound.



Customarily, the high notes are reached with the head voice and the lower notes with the chest voice, which is normally our speaking voice. Keep in mind that you can learn now to do the head voice by singing scales during your practice. Some singers feel it like a vibration in their sinus cavity or in their head as they singer the high notes.

When the singer embarks on trying to use the head voice there can be the transition period called the Passagio. This can occur between the register of notes from the chest voice or head voice, basically from middle to high notes of the vocal range. The pure head register can begin all through the middle register more so after the passagio---which will become more pronounced and the singing will feel very differently.

There is less resistance to breath due to there being less of the folds. So the glottis does not open and close completely hence the beginning of the head voice. Most singers will in time adapt to using both elements of the voice which results in the mixing between chest and head registers.

When a singer sings lower pitches it is usually done with the chest voice, and the higher notes which are about an octave higher will be done with the head voice. Most singers know that if you feel your chest vibrate while you sing it is done with the chest voice. You may also be aware of the vibration in the throat area and in the chest. The current accepted technique for singers to sing in the chest voice is to experience in the chest area.

With perseverance and patience the head voice can grow. Most singers will attempt to sing an octave higher than a pitch in the chest voice to reach the head voice. With the correct breathing method the head voice can develop successfully.

If you practiced learning the head voice accurately, there should be slight or no tremor in the throat area. Most of the time, it can be fairly tricky for someone to identify a tremor when singing with the head voice. Keep in mind that you can position your hand on the forehead to feel some shaking or tremor.

At the beginning of voice training, some inexperienced singers are labeled with a temporary voice classification. There are some who worry and think they are an alto because they can't sing high, this may simply be a problem with the head voice. Once there is a focus on the problem with solid training, it is possible to discover that a singer is in actual fact a soprano.